Open-Door Playhouse
165 episodes
Web <link> from RSS feed:
http://www.opendoorplayhouse.org
Database link:
http://www.opendoorplayhouse.org
RSS Feed:
https://feeds.buzzsprout.com/1218779.rss
Creator: Multiple
Full cast Multigenre Anthology Audio Drama
Synopsis:
Open-Door Playhouse is a monthly podcast harking back to live radio theater broadcasts. Created to introduce New Plays, New Writers, and… a wealth of unknown talent. Giving them the opportunity to have their works created in sound studios as opposed to live stage productions and presented on the Podcast as “Radio Productions.” Play submissions will be solicited online, outreach centers and word of mouth. Broadcasts will be once a month (to start) and grow as demand requires. Long term goal is to reach out to undeserved writing communities: prisons, school and community groups to provide an avenue to have their voices heard, via plays, short stories or poetry, and to establish Podcast as its own 501c3 organization.To submit your play contact:open-doorplayhouse@gmail.com
Format: Audio Drama
Continuity: Anthology
Writing: Scripted
Voices: Full cast
Genres: Multigenre
Completion status: Not applicable
Not tagged: [Framing device] [Maturity] [Creator demographics] [Character demographics] [Country of origin] [Transcript] [Content warnings]
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Episodes:
Wed, 08 Jan 2025 03:00:00 -0800
The inevitable part of life, losing someone we love. How much time off from work is fair and just? What happens when the law dictates your allowable grieving time, what are your rights? Law vs human emotion. Which would you decide? Listen in to hear what transpires between an employee and her boss. Will sympathy prevail?"
Kim Hlavac directs Goreti da Silva as Tara and Kim Hlavac as Beth.
Matthew Moore is the playwright. With a career spanning over fifteen years, Moore has accumulated numerous awards for his work. Exceptionally prolific, Moore’s many previous plays include The Fish and the Worm, Superman and the Optometrist, 21 Forever, Misty’s Gifts, A Little Blue, The Standing Ovation, and more.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 156: The Christmas Cracker
Wed, 04 Dec 2024 00:00:00 -0800
Three friends open Christmas crackers at a holiday party. Two contain the usual paper crowns and bad jokes. The third contains something that's absolutely terrifying.
Bernadette Armstrong directs a cast that includes Noelle Evangelista, Matt Foyer,
Cynthia Gravinese Brown, Kevin Carr, and Gilbert Glenn Brown.
John Leslie is the playwright. He is a Los Angeles-based actor and writer. His
acting credits include 19 seasons as the corrupt Senator Alfred Winston in Theater Forty's production of The Manor at Greystone Mansion. His last appearance was in The Explorer's Club, also with Theater Forty. As a writer, he adapted Bram Stoker's Dracula's Guest for Wicked Lit. His short story Trick was recently published in the anthology Ghosts, Echoes, and Shadows. He combined acting and writing for The Soft Click and Other Stories, his one-man show about his years as a substitute teacher.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 155: The Fish and The Worm
Thu, 28 Nov 2024 05:00:00 -0800
A worm tries to convince a fish to eat something else so that they don’t end up becoming a fisherman’s meal.
Kim Hlavac directs Sue Gisser and Jeff S.S. Johnson.
Matthew Moore is the playwright. With a career spanning over fifteen years, Moore has accumulated numerous awards for his work. Exceptionally prolific, Moore’s many previous plays include Bereavement Days, Superman and the Optometrist, 21 Forever, Misty’s Gifts, A Little Blue, The Standing Ovation, and more.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 26 Nov 2024 04:00:00 -0800
Foster and Jackson are trudging along in the desert on the hot sands, the sun beating down on them. Foster brags about his Texas chili, while Jackson praises his wife’s red beans and rice. How did the two of them end up in the desert in the first place?
Gary Lamb directs Peter Bonoff and David Purdham.
Robert Nersesian is the playwright. The Washington, D.C.-based writer is the recipient of an M.F.A. in Drama from Yale. He is the former Managing Director of the Youth Theatre of New Jersey.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 20 Nov 2024 07:00:00 -0800
A man is haunted by his past when he tries to reunite with an old flame.
Gary Lamb directs Elaine Mello as Liz and Michael Fletcher as John.
Mark SaFranko is the playwright. The New Jersey-based writer is the author of four
novels and over fifty published short stories. His previous plays include The Bitch-Goddess, Incident in the Combat Zone, Interrogation #2, Raw Connections, The Promise, A Harry of Her Own, and Dancing for Men. He is also an actor.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 14 Nov 2024 00:00:00 -0800
A young woman impulsively goes on a retreat----but it’s not exactly what she had in
mind. Rachel Berney Needleman directs Tiana Randall-Quant as Killi and Gita Redd as Suna.
Rachel Berney Needleman directs Tiana Randall-Quant as Killi and Gita Reddy as Suna.
Allie Costa is the playwright. She is an actor, writer, director, and singer working in film, TV, theatre, and voiceover. Her credits include Spring Awakening, 90210, Alien vs. Musical, Future Shock, Slayers: A Buffyverse Story, and You Me & Her. She's also appeared in commercials and podcasts, narrated audiobooks and documentaries, and lent her voice to video games and animated projects. Her work has been produced internationally, including the critically acclaimed Two Girls, Don't Shoot the Messenger Pigeon, Music of the Mind, Boxes Are Magic, and
Can You Keep a Secret? Occasionally, she sleeps.
http://www.alliecosta.com http://www.imdb.me/alliecosta
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 12 Nov 2024 08:00:00 -0800
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 06 Nov 2024 03:00:00 -0800
Legendary actress, Joan Crawford awakes to finds herself in the Afterlife Bardo. As she adjusts to the fact that she has died she reflects on the ups and downs of her life and those that she left behind. All the while interacting with two guardians who will assist her transition into the universe that awaits her.
Bernadette Armstrong directs Goreti da Silva as Joan, Crawford, Gloria Tsai as Thana, and David Trice as Newsie. Bernadette Armstrong is also the playwright. The founder of Open Door Playhouse, her other plays include The Reading Group, Simple Lives, Covid?, Moments, and Custody.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 149: Brody and The Dark & Stormy Night
Thu, 31 Oct 2024 00:00:00 -0700
October 31 is, of course, Halloween, and Brody and the Dark and Stormy Night is
certainly appropriate for the season.
Brody has recently had his heart broken. He goes to a Halloween party and sees his ex with a new boyfriend. Brody steps onto a balcony where he is ultimately joined by a stranger who takes an interest in him. Perhaps Brody’s luck is about to change. However, it is Halloween…, Miranda Stewart directs Matthew Scott Montgomery as Brody and David Andrew Calvillo as the Stranger.
Montgomery is also the playwright. His previous plays include Dead Boys and
Foursome. He is known nationally for his work as an actor on the Disney Channel series So Random! He appeared in the recent Open-Door Playhouse production of He/She/Us. He previously received an acting award from Los Angeles Drama Critics Circle.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 148: Monsters Anonymous
Wed, 23 Oct 2024 00:00:00 -0700
October is, of course, the month of Halloween, and Monsters Anonymous is certainly appropriate for the season.
Dracula wants to be a better monster and feels guilty for his past killings. Determined to stop, he struggles with his addiction to human blood, despite being able to survive on animal blood. He joins Monsters Anonymous (MA), posing as an alcoholic, and meets other monsters with unique addictions: Gaywolf, obsessed with bulking up; Frankenstein, addicted to plastic surgery; and Ghost Girl, who can't stop stalking her ex-girlfriend. Can the group help Dracula resist his urges, or will he relapse into killing again?
Bernadette Armstrong directs Kevin Carr, Monique Gonsalves, Gina Elaine, and Larry Coleman.
Melissa Marie Watson is the playwright. Melissa won two creative writing scholarship contests and two essay contests at Eureka College, read poetry over the radio in Chicago, and was published in The Quill, The Pantagraph, and The Woodford County Journal. She was recently published in two anthology books: Words of the Wise: Stories of Awakening Journeys and I’m a F*cking Entrepreneur Volume II. Her monologue, Made to Be Alone, was performed by Nomad Theatre in their Ghostlight Project showcase, and her short play, The Lesser of Two Evils was a finalist in Nomad's The Polling Place contest.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 16 Oct 2024 00:00:00 -0700
October is, of course, the month of Halloween, and Face Dancers is certainly appropriate for the season.
Suzy is trying to get home but is being pursued by a threatening, nameless creature as she runs down the street. She begs entry at one house and finds refuge for the moment as a schoolmate and his grandfather take her in. But the night is still young, and dawn is hours away. Will Suzy be safe, or will unimaginable terrors lie in wait for her?
Yunyi Zhu directs Daamen Krall, JayCee Porter, and Michael Harvey Fletcher.
Fletcher is also the playwright. He holds a BFA in Creative Writing from Utah Valley
University. A prolific character actor on stage and screen, he recently appeared in the Open-Door Playhouse production of A Skylight in Queens.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 146: What's Behind Door Number 2?
Wed, 09 Oct 2024 06:00:00 -0700
Denise and Matt believe they are the legal owners of the contents of an abandoned storage unit. Then along comes a big dude who begs to differ with their appraisal of their circumstances. Sometimes you just can’t make a deal.
Kim Hlavac directs herself, Jeff LeBeau, and Keith Barber. Kim is also the playwright. A frequent contributor to Open-Door Playhouse as an actor,
director, and writer, she graduated from the famed high School of Performing Arts and then attained her BFA from SUNY/Purchase.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 02 Oct 2024 00:00:00 -0700
On a dark and stormy night, a distraught young woman seeks the aid of a doctor to release her from the thrall of a deadly entity changing her into….something else. But her immortal Master has yet another, more powerful, unholy being under his control. What can the doctor do?
Bernadette Armstrong directs Allan Wasserman, Elaine Mello, and Daaman Krall.
Simon Bowler Khan is the playwright. He’s written a number of historical dramas
including a pair of plays about Christopher Marlowe, The Inquisitor, Judgment of the Eye, The Enemy of the State, and The Briefing. He is also a producer, actor, and director (including a production of Hamlet for Amazon.) He is a graduate of the University of Westminster.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 25 Sep 2024 00:00:00 -0700
“The Suitcase involves a married couple coming to a major decision about their life together. It has a serious theme with a surprise ending that no one sees coming.”
Miranda Stewart directs actors Anne Cooper and David Purdham.
Stuart Brown is the playwright. A prolific author of short plays, his works have been presented in Massachusetts, New Jersey, Rhode Island, Texas, and Connecticut. He is the President of the Connecticut Critics Circle. He runs the online 24/7 Broadway radio station SoundsofBroadway.com, featuring the best from Broadway, Off-Broadway, and London stages.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 18 Sep 2024 00:00:00 -0700
Set in 1863, just after the Emancipation Proclamation, Chess Master tells the story of a confrontation between a defiant plantation owner and a newly freed slave. The owner, desperately clinging to the old order, attempts to coerce his former servant into staying on as an unpaid laborer---a potent allegory for the continuing struggle to create a truly free society.
The cast includes Tim Powell, Tazz Yancey, and Dennis Gersten.. Gersten directs.
Braddon Mendelson is the playwright. His full-length plays include Provenance,
Gallows Falls, Rembrandt Perfected, Resisted Living, and Minor Character. He wrote the book and lyrics for a musical, The Waterway. He is the author and illustrator of a children’s book, Have You Seen the Tickle Bug? Mendelson also produced music videos for rap and R& B artists. He is a graduate of Cal State Northridge.
Support the Podcast
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 04 Sep 2024 06:00:00 -0700
Astrid meets Paolo for the first time in almost a year after breaking up.
He has convinced her to meet his “new self” at a men’s clothing store. When he makes his reveal, she has difficulty adjusting to what he now looks like. The ghost of his former self arrives, and both react intermittently.
The cast includes Ivy Jane and Matthew Scott Montgomery. Bernadette Armstrong directs.
Susan Kelejian is the playwright. Her previous plays include The Tragedy of Boudicca, The Belles of Bedlam, Woman on the 97th Floor, and Drive. She is the founder of the Ojai Valley Artists Theatre Ensemble. She is also an actor, director and licensed psychotherapist.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 21 Aug 2024 03:00:00 -0700
This new comedic play begins with three women and forty-four cats. Simple enough ingredients with which to launch a narrative, yes? Not so fast….
The cast includes Reyna Stephanie, Joyce Hananel, and Zelda Kimble. Yunyi Zhu
directs.
James C. Ferguson is the playwright. The Massachusetts-based writer is the prolific author of a number of short plays, including OMG, Don’t Jump the Gun, Lewis & Clark, Alexander the Great, The Wright Brothers, For Whom the Yell Tools, and many more. He directed and co-wrote an indie film, Happy Holidays, and served as a special effects technician on a number of feature films.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 07 Aug 2024 00:00:00 -0700
A man dies and must decide whether to accept the finality of his death or choose to be reborn and give it another go. Was his one life enough or should he roll the dice and try again?
The cast includes Kim Hlavac and Dennis Gersten. Kim Hlavac directs.
Mark Saunders is the playwright. Based in Portland, Oregon, he is a prolific writer of short plays. His full-length works include All’s Not Okay at the I’m O.K. Corral, Honest Graft, and The Chinese Question. He has also been a gag cartoonist, with over 500 cartoons published.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 139: A Skylight in Queens
Wed, 24 Jul 2024 00:00:00 -0700
In the chilly streets of New York, a disillusioned young man is troubled by his recent work as a death doula, prompting him to ponder life's deeper questions. One night, he encounters Chloe, who appears to be on the brink of personal turmoil. Observing her spiral into alcoholism, Ben intervenes and brings her to his apartment. What starts as a promising evening of connection soon unravels into a soul-searching exploration of their own vulnerabilities. As they navigate their existential crises, questions arise: can they confront their isolation and find solace, or will they succumb further to their inner chaos?
Bernadette Armstrong directs Sue Gisser and Michael Fletcher.
David Robinette is the playwright. The Los Angeles-based writer’s previous plays include Eddie, Man Is Wolf, and Crosscut, the latter two plays winning awards at the Hollywood Fringe Festival.
Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast like the 1940s and 1950s radio dramas. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspec
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 138: Will The Real Richard Please Stand Up?
Wed, 10 Jul 2024 03:00:00 -0700
Present-day actors rehearsing the roles of Richard III and Queen Margaret are interrupted by the arrival of the real Richard III and Philippa Langley, the British writer and ; producer who played a pivotal role in finding the bones of Richard in 2012. Now, Philippa and Richard are intent on rescuing his reputation.
Gary Lamb directs Billy Mendieta, Kevin Carr, Joanne McGee, and Camille Ameen.
Sandra Cruze is the playwright. Cruze’s previous work includes plays (Grace; She Was Dick’s Tracie),, a short film (The Physics of Killing), a web series (We’re Not Dead Yet), and a musical (Moonshine Mamas).
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 19 Jun 2024 00:00:00 -0700
Two fellows encounter each other at a party. One insists they have recently been lovers.
The other denies anything of the kind, to the irritation of the other man. The story has a
conclusion that you won’t see coming.
Matt Ritchey directs Matthew Scott Montgomery and Kevin Phan.
F.J. Hartland is the playwright. Based in Johnstown, Pennsylvania, he is the recipient of
an M.F.A. from Carnegie Mellon University. The prolific writer’s previous plays include Fat and Fiction, Games of the Mind, A Piano Player with Sad Brown Eyes, What the Puck?, Tina, Be a Guest, Smoke and Fire, and more. He is also a director (over 100 credits) and actor.
During June (Pride Month), Open-Door Playhouse will include in its
programming plays that focus on the stories of LGBTQ characters.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we s
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 136: When He was Young and Pretty
Wed, 05 Jun 2024 00:00:00 -0700
An older gentleman invites a younger man to his apartment for dinner. As the meal
progresses the two discuss the difficulties that each generation has delt with over the years; each contending that their generations has endured the harshest difficulties. As the conversation between the two fades, they acknowledge their similarities and the evening takes on a more personal tone.
Gary Lamb directs Daamen Krall and Michael Fletcher.
Collin Smith is the playwright. He has written for television (Man-babies) and film
(TIME:The Kallef Browder Story). He is also an actor. (Person of Interest, The Young Pope, As the World Turns, more).
During June (Pride Month), Open-Door Playhouse will include in its
programming plays that focus on the stories of LGBTQ characters.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To l
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 135: Mothers and Other Strangers
Wed, 22 May 2024 04:00:00 -0700
Ethan wants to be a good son and a good caregiver to his forgetful mother. Not
everything is how it seems, however, in this narrative which has an unexpected twist ending worthy of O. Henry.
Miranda Stewart directs Carol Goldman, Noelle Evangelisti, and Omari Williams.
F.J. Hartland is the playwright. Based in Johnstown, Pennsylvania, he is the recipient of
an M.F.A. from Carnegie Mellon University. The prolific writer’s previous plays include
Games of the Mind, A Piano Player with Sad Brown Eyes, What the Puck?, Tina, Be a Guest, Smoke and Fire, and more. He is also a director (over 100 credits) and actor.
Because the American holiday of Mother’s Day occurs during May, Open-Door
Playhouse will be saluting mothers with an entire slate of plays opening during the month of May in which mothers figure prominently.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 134: The Queen of Carbon
Tue, 21 May 2024 04:00:00 -0700
Lizzy is nine months pregnant and is due to give birth on Mother’s Day. Lizzy wants to
name the new baby Mildred, after trailblazing scientist Mildred Dresselhaus, who was known as The Queen of Carbon. Lizzy’s husband Danny has other ideas.
Rachel Berney Needleman directs Gloria Tsai and Felipe Figueroa.
Bara Swain is the playwright. The exceptionally prolific Greenwich Village-based writer
has created numerous plays for both adult and juvenile audiences. There have been over 80 live productions and over 50 virtual productions of her works, garnering over 70 honors/awards.
Because the American holiday of Mother’s Day occurs during May, Open-Door
Playhouse will be saluting mothers with an entire slate of plays opening during the month of May in which mothers figure prominently.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 15 May 2024 06:00:00 -0700
Ellie’s a recent college graduate. She often perceives thing differently from her mother,
Janet. What Janet reveals about Ellie’s recently deceased dad will profoundly affect Ellie’s understanding of things.
Bernadette Armstrong directs Camille Ameen and Elaine Mello.
Bara Swain is the playwright. The exceptionally prolific Greenwich Village-based writer
has created numerous plays for both adult and juvenile audiences. There have been over 80 live productions and over 50 virtual productions of her works, garnering over 70 honors/awards.
Because the American holiday of Mother’s Day occurs during May, Open-Door
Playhouse will be saluting mothers with an entire slate of plays opening during the month of May in which mothers figure prominently.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 14 May 2024 00:00:00 -0700
In the late 1960s, Grace has become a teen mom at 16. Her daughter has been taken away from her, against her will. Her boyfriend, the little girl’s father, has been killed on the battlefield while serving in Vietnam. Now, Grace is determined to do whatever is necessary to get her daughter back. First, Grace will have a reckoning with her own mother.
The playwright, Sandra Cruze, performs her work as a solo piece. Grace is extracted from a full-length, full-cast (nine) play. Cruze’s previous work includes a short play (She Was Dick’s Tracie),, a short film (The Physics of Killing), a web series (We’re Not Dead Yet), and a musical (Moonshine Mamas).
Because the American holiday of Mother’s Day occurs during May, Open-Door
Playhouse will be saluting mothers with an entire slate of plays opening during the month of May in which mothers figure prominently.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 01 May 2024 03:00:00 -0700
Ludlow has been overweight his entire life, from childhood through adulthood. He’s
depressed about being fat, but his mom is about to give him an entirely new perspective on things.
Yunyi Zhu directs Justice Davis and Zelda Kimbal.
F.J. Hartland is the playwright. Based in Johnstown, Pennsylvania, he is the recipient of
an M.F.A. from Carnegie Mellon University. The prolific writer’s previous plays include
Games of the Mind, A Piano Player with Sad Brown Eyes, What the Puck?, Tina, Be a Guest, Smoke and Fire, and more. He is also a director (over 100 credits) and actor.
Because the American holiday of Mother’s Day occurs during May, Open-Door
Playhouse will be saluting mothers with an entire slate of plays opening during the month of May in which mothers figure prominently.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 130: Chasing Butterflies
Wed, 17 Apr 2024 00:00:00 -0700
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 129 Beautiful, Beautiful Cleopatra
Wed, 03 Apr 2024 00:00:00 -0700
Two priestesses are debating the beauty of Cleopatra outside her chambers. The discussion ends up being about far more than beauty as the older priestess tries to convince the younger one that sometimes beauty should stay in the eye of the beholder.
This is a comedy about power that takes a few sharp jabs at history.
Yuniy Zhu directs Goreti da Silva as Akila and Monique Gonsalves as Anat.
Kevin Broccoli is the playwright. His most recent play, The Jelly Bean, was a selection at the Pittsburgh New Works Festival. His other plays include American Strippers, Does It Rain on Mars?,, James Franco and Me: An Unauthorized Satire, Kill the Virgin, The Italian Wife, We Ride at Dawn or Whenever, and more. He is also an actor, director and producer.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 128: How Nice of You to Ask...
Wed, 20 Mar 2024 03:00:00 -0700
A young sex researcher is conducting interviews with men and women forty years his
senior finding many of their answers quite surprising and just a bit unnerving.
Bernadette Armstrong directs Joyce Hananel as Mavis and Matthew Scott Montgomery as Alan.
Rich Rubin is the playwright. Based in Portland, Oregon, he is a member of the
Dramatists Guild and is the recipient of six playwriting awards. His full-length plays include Caesar’s Blood, Costa Rehab, Cottonwood in the Flood, Marilyn/MISFITS/Miller, One Weekend in October, September Twelfth, and many more.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 127: A View Of The Enemy
Wed, 06 Mar 2024 04:00:00 -0800
Martine and Amy are actresses about to open in a Broadway play. Martine is assured.
Amy, who lives in a shelter, is fragile. They are friends. The enemy of the title is Paul, a theatre critic with a razor-sharp pen dipped in acid. Are the actresses prepared to face their foe?
Dennis Gersten directs a cast that includes Leah Jarvik, Whitton Frank, Peter Bonoff, and Matt Ritchey.
Dana Coen is the playwright. He received an M.F.A. from UCLA. He is the Director of
the Writing for Screen and Stage program at the University of North Carolina- Chapel Hill. His previous plays include Bunches of Betty, Sympathy, Tinkle Time, Internal Bleeding, and Property. He has also written extensively for television series, including NCIS, Bones, JAG, Carol and Company, General Hospital, and Silk Stalkings. Coen is also a producer, director, and actor.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 126: Part 3 - Whitesville
Thu, 15 Feb 2024 07:00:00 -0800
A white police captain, his white wife, and their two adopted Black teen children try to keep their family from being torn apart as their town and the nation become engulfed in protests in the immediate aftermath of the murder of George Floyd.
Open-Door Playhouse continues to present plays in podcast form. Whitesville is a full-length, three-act play. Each act will be presented in a separate podcast
episode online. Act One will debut on February 13, 2024, Act Two on February 14, and Act Three on February 15 at http://opendoorplayhouse.org All three acts will continue to be available on the website.
LISTEN to Whitesville
https://www.opendoorplayhouse.org/opendoortheaterplays/whitesville2
We are honoring the month of Black History with 3 powerful plays - one about the Flint Michigan water disaster (Un)Drinkable, Feb. 7th, one about the murder of George Floyd, Whitesville, presented in 3 parts, Feb. 13th, 14th, and 15th and Beethoven and Misfortune Cookies, February 28th- one about a professor who lost his position at the University of Arkansas - or is it Alabama?) after a white female student complained about his 'photo presentation' as he explained the meaning of Strange Fruit, sung by Billie Holiday.....
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 126: PART 2 - Whitesville
Wed, 14 Feb 2024 06:00:00 -0800
A white police captain, his white wife, and their two adopted Black teen children try to keep their family from being torn apart as their town and the nation become engulfed in protests in the immediate aftermath of the murder of George Floyd.
Open-Door Playhouse continues to present plays in podcast form. Whitesville is a full-length, three-act play. Each act will be presented in a separate podcast
episode online. Act One will debut on February 13, 2024, Act Two on February 14, and Act Three on February 15 at http://opendoorplayhouse.org All three acts will continue to be available on the website.
LISTEN to Whitesville
https://www.opendoorplayhouse.org/opendoortheaterplays/whitesville2
We are honoring the month of Black History with 3 powerful plays - one about the Flint Michigan water disaster (Un)Drinkable, Feb. 7th, one about the murder of George Floyd, Whitesville, presented in 3 parts, Feb. 13th, 14th, and 15th and Beethoven and Misfortune Cookies, February 28th- one about a professor who lost his position at the University of Arkansas - or is it Alabama?) after a white female student complained about his 'photo presentation' as he explained the meaning of Strange Fruit, sung by Billie Holiday.....
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 126: PART 1 - Whitesville
Tue, 13 Feb 2024 11:00:00 -0800
A white police captain, his white wife, and their two adopted Black teen children try to keep their family from being torn apart as their town and the nation become engulfed in protests in the immediate aftermath of the murder of George Floyd.
Open-Door Playhouse continues to present plays in podcast form. Whitesville is a full-length, three-act play. Each act will be presented in a separate podcast episode online. Act One will debut on February 13, 2024, Act Two on February 14, and Act Three on February 15 at http://opendoorplayhouse.org All three acts will continue to be available on the website.
We are honoring the month of Black History with 3 powerful plays - one about the Flint Michigan water disaster (Un)Drinkable, Feb. 7th, one about the murder of George Floyd, Whitesville, presented in 3 parts, Feb. 13th, 14th, and 15th and Beethoven and Misfortune Cookies, February 28th- one about a professor who lost his position at the University of Arkansas - or is it Alabama?) after a white female student complained about his 'photo presentation' as he explained the meaning of Strange Fruit, sung by Billie Holiday.....
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 07 Feb 2024 06:00:00 -0800
In 2014, Flint, Michigan changed the source of its water supply. This resulted in the
contamination of its drinking and bathing water, causing a dozen fatalities and sickening dozens more. The changes in the water supply were motivated by the greed of a few people in power and by systemic racism: The city was 54% Black.
(UN)Drinkable stars Barika Phillips Bell, JayCee Porter, and Sue Gisser. Bernadette
Armstrong directs.
Dana Hall is the playwright. Her previous plays include Underneath; All Grown Up; No
More Flowers; Me, Myself, and Moscato; The Reason for Dad Jokes; The Origin of Zeke Wolf; and many more. The Illinois-based writer is also an actor and voice artist.
(UN)Drinkable is one of several plays specifically curated by Open-Door Playhouse for
presentation during Black History Month (February).
Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 31 Jan 2024 00:00:00 -0800
Open-Door Playhouse continues to present short plays in podcast form.
A theatre pro offers advice to young Will Shakespeare.
Will’s Dramaturg stars Jeffrey S.S. Johnson and Andrew Elvis Miller. Kim Hlavac
directs.
Rich Rubin is the playwright. Based in Portland, Oregon, he is a member of the
Dramatists Guild and is the recipient of six playwriting awards. His full-length plays include Caesar’s Blood, Costa Rehab, Cottonwood in the Flood, Marilyn/MISFITS/Miller, One Weekend in October, September Twelfth, and many more.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
SPECIAL announcement ...
Open-Door Playhouse is partnering with the Geffen Playhouse along with Women’s Voices Now and the Los Angeles Female Playwrights Initiative.
POTUS: Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive. Written by Selena Fillinger. Directed by Jennifer Chambers. January 19- February 18 in the Gil Cates Theater at Geffen Playhouse. A derogatory comment, a summit gone awry, an anal abscess—it’s a bad day at the White House. When the President unwittingly spins a PR nightmare into a global crisis, it inevitably falls on the seven women he relies on most to clean up the mess. Take a raucous romp through the halls of the West Wing in a riotous and irreverent farce about the men who hold the power vs. the women who get the job done. Visit geffenplayhouse.org for cast info, to purchase tickets and more. SPECIAL DISCOUNT! Use code: WOMEN24 for $39.00 per ticket, fee included. Valid for performan
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 123: The Golden Fleece
Wed, 17 Jan 2024 07:00:00 -0800
Helios, the Greek Sun God torments his son-in-law, Jason, with blasts of sun rays into exposing the tragic events that led to his epic downfall as a legendary hero before an audience of ghosts from his past. Reluctantly, and with the aid of alcohol, he makes a promise to tell the whole truth of what happened to him, his wife Medea, and their children.
Bernadette Armstrong directs Rosney Mauger as Jason.
Issac Byrne is the writer. Isaac has been awarded the New York Innovative Theatre Award for Outstanding Direction twice. His productions have been nominated for a Drama Desk Award, an Off-Broadway Alliance award, 29 NYIT awards, and 6 Planet Connection Awards. NYC Credits: Other Mozart (NYIT Outstanding Solo Performance), In Vestments (NYIT Outstanding Premier of a New Play), To Nineveh (NYIT Outstanding Production), Tar Baby (DR2, PS122), 52 Man Pick Up (Ars Nova, Edinburgh Fringe), AMP (NYIT Nominated for Outstanding Performance Art), I Used to Write on Walls, and Rusalka. He currently teaches acting at the University of the Arts. He is also a playwright whose work has been presented by MCS and the Chain Theater in NYC, Fusion Theater in NM, and the Weekend of New Work in Phoenix. www.isaacbyrne.com and www.theatre4thepeople.org
LISTEN to The Golden Fleece
https://www.opendoorplayhouse.org/opendoortheaterplays/thegoldenfleece
Runtime: 15:18Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
SPECIAL announcement ...
Open-Door Playhouse is partnering with the Geffen Playhouse along w
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 02 Jan 2024 07:00:00 -0800
Open-Door Playhouse continues to present short plays in podcast form. Its upcoming
play Anti-Soulmate will debut on January 3, 2024 online at http://opendoorplayhouse.org
A man searching for his soulmate finally finds her. There’s just one problem. She doesn’t
believe in soulmates.
Miranda Stewart directs Elaine Mello and Peter Bonoff.
Alyssa Ahle is the playwright. Her other plays include Lost and Found, Not Knowing, An
Ethical Fantasy, Anti-Amour, and An Idealized Nightmare. Her stories have been anthologized in fiction and science fiction collections. She also writes poetry.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you can listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 121: Right Down Santa Claus Lane
Wed, 13 Dec 2023 00:00:00 -0800
Jeff McKnight, a ruthless corporate executive, discovers that firing the employees of his
recently acquired company is not so easy as their Christmas spirit is way more ‘real’ than even his grinch-heart can handle.
Ann Noble is both playwright and director of Right Down Santa Claus Lane. Ann is an
award-winning playwright/new media writer, actor, solo performer, director, arts educator, private acting coach and jail chaplain. Her work has been produced all over the country and the world, and she has performed/directed in Chicago, NYC, D.C., Edinburgh, Sydney, and extensively in SoCal; theatrical credits here include work with: South Coast Rep, ICT of Long Beach, EST of Santa Barbara, Malibu Playhouse, Sierra Madre Playhouse, Antaeus (company member), Vs., Moving Arts, LA's LBGT Center, Echo (company member), The Victory, Inkwell, The Road, Rogue Machine (company member), Boston Court, Warriors For Peace, LifeChild Prods, Two Heads Are Better Prods, LA's Holocaust Museum, Museum of Tolerance, YWCA and Homeboy Industries. IG: @sparksjacks and more info about her work with the incarcerated at prismjustice.org
Ms. Noble’s cast for Right Down Santa Claus Lane includes Kim Hlavac, Michael
Perlmutter, Deidra Edwards, Rob Banks, and Rob Nagle.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Do
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 06 Dec 2023 00:00:00 -0800
Open-Door Playhouse continues to present short plays in podcast form. Its upcoming
play Anxiety will debut on December 6, 2023 online at http://opendoorplayhouse.org
Tensions build when a manic-claustrophobic woman gets locked inside an office building bathroom, along with a male janitor late one night. Will they be rescued in time?
Miranda Stewart directs Gloria Tsai and Michael Fletcher.
Curt Wiser is the playwright. He is a writer, director, actor, cinematographer, animator,
and podcaster. The recipient of a B.F.A. from the University of Central Florida, his previous audio drama credits include A Voice in Violet and The Improv Murders. His script for Anxiety won the International Music and Entertainment Association Award (IMEA).
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you can listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 30 Nov 2023 06:00:00 -0800
OPEN-DOOR PLAYHOUSE DEBUTS THE FINAL BATTLE ON NOVEMBER 30 AS PART
OF ITS SALUTE TO VETERANS
Open-Door Playhouse continues to present short plays in podcast form. http://opendoorplayhouse.org
The Johnson men are home for Thanksgiving. Louis is a Vietnam veteran. Paul, his son,
is a Desert Storm veteran. Jared, Paul’s son, is currently in the Air Force, on leave after extended deployment. Louis is still haunted by his days in combat in the Nam. He’s been harboring a terrible secret, which will soon be revealed.
Bernadette Armstrong directs a cast that includes Anne Cooper, David Purdham, Michael Fletcher, and Justice Davis.
Dan Lambert is a playwright and veteran. Daniel has been in the theatre world for over seven years, first as an actor, then as a playwright and director. He founded Troupe Of Dysfunction, a theatre group that aims to improve mental health through creative expression. The Final Battle was written to recognize the struggles of incarcerated veterans.
The Final Battle is a selection in the Open-Door Playhouse month-long Salute to
Veterans in November, focusing on works created by veterans.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you can listen to ev
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 118: PART 2 - The Wars at Home (Cairo - Outside Paducah)
Tue, 28 Nov 2023 00:00:00 -0800
Open-Door Playhouse continues to present short plays in podcast form. Its upcoming
play Cairo will debut on November 28, 2023 online at http://opendoorplayhouse.org
Cairo is part of a collection of short plays with the umbrella title of Outside Paducah:
The Wars at Home.
Cairo (pronounced KAY-row) is the name of an Illinois town just across the state line
from Paducah, Kentucky where Dan, the proprietor of a business called Dan’s Demolition, is seeing a bank executive about a loan to bolster his business. In the course of his conversation with the banker, Dan relates details about the military records of his father, himself, and his son. Dan, an expert at demolition, seeks to rebuild his life.
Bernadette Armstrong directs. Playwright J.A. Moad II performs his own script.
J.A. Moad II is a former Air Force C-130 pilot with over a hundred combat sorties. He
received an MFA from Augsburg College. He has written fiction, poetry, and essays. He is also an actor and an airline pilot. He resides in Northfield, Minnesota.
Cairo is a selection in the Open-Door Playhouse month-long Salute to Veterans in
November, focusing on works created by veterans.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 23 Nov 2023 00:00:00 -0800
Kim Hlavac directs Michael David, Madelynn Fattibene, and Carole Goldman.
Kim Hlavac is the playwright. The recipient of a BFA from f SUNY Purchase, she is also
an actor. She has performed in plays in New York (including Much Ado About Nothing opposite Stanley Tucci, Waiting for Lefty directed by Howard da Silva, and Gertrude Stein’s Listen to Me) and on TV (including the daytime drama Another World) in which she played Lauren Phillips) and is a member of the stage companies VS Theater and Station House. Her Penny Slots plays can be found on the Open-Door Playhouse website.
Repercussions is a selection in the Open-Door Playhouse month-long Salute to Veterans in November, focusing on works created by veterans.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you can listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 21 Nov 2023 00:00:00 -0800
Open-Door Playhouse continues to present short plays in podcast form. Its upcoming
play Willy will debut on November 21, 2023 online at http://opendoorplayhouse.org
Suffering from PTSD, Willy continues to struggle in his day-to-day life, haunted by the
psychological trauma he suffered while serving in Vietnam, and the subsequent divorce from the love of his life, and separation from his daughter, whom he adores.
Bernadette Armstrong directs Matt Ritchey, Gena Kay, and Ayla Rose Barreau.
Jan Buttram is the playwright. She is a member of the Dramatists Guild and is the
Founding Artistic Director of Abingdon Theatre Company. Her other plays include Texas Homos, The President and Her Mistress, Private Battles, The Parker Family Circus, Backwoods, Lost on the Natchez Trace, and more. She is also an actor and director.
Willy is a selection in the Open-Door Playhouse month-long Salute to Veterans in
November, focusing on works created by veterans.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep o
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 115: Part 1 - The Wars at Home ( Our Ghost)
Thu, 16 Nov 2023 00:00:00 -0800
The Wars at Home: Our Ghost is part of a collection of short plays with the umbrella title of Outside Paducah: The Wars at Home.
In Our Ghost, a young boy growing up in the home his family has occupied for
generations in a small town in Illinois believes the house to be haunted by a ghost.
Bernadette Armstrong directs. Matthew Scott Montgomery stars.
J.A. Moad II is the playwright. He is a former Air Force C-130 pilot with over a hundred
combat sorties. He received an MFA FROM Augsburg College. He has written fiction, poetry and essays. He is also an actor and an airline pilot. He resides in Northfield, Minnesota.
The Wars at Home: Our Ghost is a selection in the Open-Door Playhouse month-long
Salute to Veterans in November, focusing on works created by veterans.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of th
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 114: Switchboard Soldiers
Tue, 14 Nov 2023 08:00:00 -0800
Open-Door Playhouse continues to present short plays in podcast form. Its upcoming
play Switchboard Soldiers will debut on November 14, 2023 online at http://opendoorplayhouse.org
Before women could even vote, Miss Banker leads the first corps of women that help turn the tide of World War I.
This is an interview with the first woman soldier Chief Grace Banker of the Signal Corps
Female Telephone Operators Unit. General John Pershing, commander of the American
Expeditionary Forces in WWI, demanded female “wire experts” when he discovered that inexperienced doughboys were unable to keep him connected with troops under fire.
In 1918 the US Army Signal Corps sent 223 women to France during WWI. They were
bi-lingual and experts in the latest technology, the switchboard. They had access to privileged coordinates and military assignments. These brave women chose to serve their country despite the fact that women were not considered full citizens. Back in the states, they could not vote, nor own property, but a group of six women led by Miss. Banker served alongside Gen Pershing on the front line as they operated the switchboards. They were responsible for over 26 million calls during their service.
Rachel Berney-Needleman directs a cast that includes Tania Verafield, Omari Williams, Jaycee Porter, and Felipe Figueroa.
Special thanks to Carinne Meyrignac" for assisting the cast with the French pronunciations.
Dana Hall is the playwright. A member of the Dramatists Guild, she received the Award
for Excellence in Playwriting by the Theatre Association of New York State. She is also an actor. A prolific writer, her plays include My Vagina Has a First Name, The Little Christmas Tree, Under the Floorboards, When Your Stepfather Wants to Rule the Earth, I Hate My Afterlife, One Night in September, and many more.
Switchboard Soldiers is a selection in the Open-Door Playhouse month-long Salute to
Veterans in November, focusing on works created by veterans.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse laun
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 08 Nov 2023 13:00:00 -0800
In 1965, a young man tries to avoid being sent to fight in Vietnam before President
Johnson cancels the draft deferment for married men. Andy begs Doris to marry him before his time runs out.
Bernadette Armstrong directs a cast that includes Allan Wasserman, Natalie Venturi,
Peter Bonoff, Daamen Krall, David Purdham, Camille Ameen, Sue Gisser, JayCee Porter, and Gina Elaine.
.Melissa Milich is the playwright. Her other works for the stage include At Twilight in
Watsonville; Holy or Holey—Catholic Rituals; The Bridal Wave; Sincere Apologies; Human Remains; An English Major in Camouflage; and more. She has also authored nonfiction and children’s books. She is a former U.S. Navy Intelligence Officer.
The Bridal Wave is a selection in the Open-Door Playhouse month-long Salute to
Veterans in November, focusing on works created by veterans.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you can listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays an
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 112: We Ride At Dawn. Or Whenever...
Tue, 07 Nov 2023 06:00:00 -0800
Open-Door Playhouse continues to present short plays in podcast form. Its upcoming
play We Ride at Dawn, or Whenever will debut on November 7, 2023 online
at http://opendoorplayhouse.org
Three military men gather to confer about the timing of an upcoming battle.
Dennis Gersten directs himself as the Sargent, Gary Lamb as the Captain, and James
Calvert as the General.
Kevin B is the playwright. His most recent play, The Jelly Bean, was a selection at
the Pittsburgh New Works Festival. His other plays include American Strippers, Does It Rain on Mars?, James Franco and Me: An Unauthorized Satire, Kill the Virgin, The Italian Wife, and more. He is also an actor, director, and producer.
We Ride at Dawn, or Whenever is a selection in the Open-Door Playhouse month-long
Salute to Veterans in November, focusing on works created by veterans.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and
Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our liste
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 02 Nov 2023 00:00:00 -0700
SHORTS (BUT SWEET) presents five ridiculous slice-of-life comedy sketches…if your life involves a hotline for writer’s block, childish boyfriends, movie weddings that go haywire, and randy old ladies.
Rock and Roll Radio Theater presents SHORTS (BUT SWEET) Starring:
Richard Malmos directs Paul Preston, Susan Huckle, Mischelle Massie, Amy Engelhardt, and Ramone Hamilton.
The SAG-AFTRA /WGA strikes have hurt thousands of actors, writers, composers, recording engineers, editors, and crew. Creatives in our entertainment community cannot pay rent, buy food, or keep health insurance.
Rock and Roll Radio Theatre, has partnered with Nonprofit Open-Door Playhouse to produce a radio play series, sanctioned by SAG-AFTRA, that does not cross the picket line. We have hired those actors, writers, composers, recording engineers, editors, and crew-- all of whom have spent years perfecting their craft, and who want to be able to do it again for a fair wage.
As of November, the strike is nearing 200 days. Even when the strike is over, the recovery process will continue. Our SAG-AFTRA Micropodcast Contract can put some money in pockets of creatives while they do what they were trained to do.
SHURE INCORPORATED -- the gold standard for audio equipment for artists and venues worldwide, contributed $10,000 worth of microphones, and Fred's 62 of Los Feliz and Sharky's of Studio City donated meals. Still, the majority of the funding came from private donors -- like you!
Thank you - and enjoy the shows! If you like what you hear, please give a little more by pressing the "SUPPORT PODCAST" button! Your donations are tax-deductible!
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 02 Nov 2023 00:00:00 -0700
Rock & Roll Theater presents, HASHTAG #SHINE It On
Written by: CHRISTINA VERONICA and STEPHEN WOZNIAK
Richard Malmos directs Aaron Lyons (Teddy), Felicia Taylor E. (Nancy Jean), Nathan Smythe (Uncle Ronnie), Victoria Rafael (Charity Chastain), and Tonoccus McClain (Mickey Diamond Boy) in HASHTAG #SHINE IT ON.
Foley Artist: Jeff Gardner
Recording Engineer: Brian Showalter
Music by THE FLUTTERBYES
Producers: Maureen Davis and Allyson Sereboff
Production Assistant: Gina Elaine
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 01 Nov 2023 00:00:00 -0700
Army recruit Carrie surprises her mother and sister when she arrives home on an emergency leave from her platoon, days before being shipped out to her new assignment.
Emergency Leave! is directed by Joanee McGee-Lamb and stars Sofia Bragar, Marta Portillo, Violeta Hernandez.
Elaine Little is the playwright. She is a combat veteran who served as an interrogator in Afghanistan. Emergency Leave has been performed in London. Elaine has also written for the TV miniseries So Proudly We Hailed. She received her M.A. from the University of Illinois, Chicago. She works as an outreach coordinator for homeless veterans at the VA Los Angeles Regional Office.
Emergency Leave is a selection in the Open-Door Playhouse month-long Salute to Veterans in November, focusing on works created by veterans.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase i
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 31 Oct 2023 00:00:00 -0700
OvEn is an entertaining tale just in time for the Halloween season. Jenny and her best friend Lucy are selling cookies door to door far and wide in hopes of raising funds for Jenny’s college tuition. Their efforts take a bit of a turn when they land on the doorstep of Mrs. Zodiac, the widow of the Zodiac Killer, who’s pre-heating her oven just for them….Listen carefully, and don’t try to escape!
Rachel Berney Needleman directs a cast that includes Anne Cooper, Zelda Kimble,
Sienna Tso and Matthew Scott Montgomery.
Melissa Milich is the playwright. Her other works for the stage include At Twilight
in Watsonville; Holy or Holey—Catholic Rituals; The Bridal Wave; Sincere Apologies;
Human Remains; An English Major in Camouflage; and more. She has also authored
nonfiction and children’s books. She is a former U.S. Navy Intelligence Officer.
OvEn is a selection in Open-Door Playhouse’s second annual Celebrating Women in
Theatre. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to brin
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 109: Don't Sit On The Bench...Get Up!
Wed, 25 Oct 2023 07:00:00 -0700
Noreen is amazed that Wendy runs in the park. While Wendy stretches near her, Noreen starts up a conversation. She's sorry afterward.
Kim Hlavac directs. directs. Noelle Evangelisti and Rhoda Pell star.
Marj O’Neill-Butler is the playwright. She is the Florida Regional Rep for the
Dramatists Guild and is the author of 59 produced plays, among them Conflict on a Bench, 0% Chance of Visibility, Arianna Rose, A Bump in the Night, A Dinner Bell Rings, A Face on the Pig, and so many more.
Don’t Sit on the Bench…Get Up! is a selection in the Open-Door Playhouse Second
Annual Celebration of Women in Theatre.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception, Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 25 Oct 2023 00:00:00 -0700
OPEN-DOOR PLAYHOUSE DEBUTS REVELATIONS ON OCTOBER 25 AS PART OF ITS SECOND ANNUAL CELEBRATION OF WOMEN IN THEATRE
Open-Door Playhouse continues to present short plays in podcast form. Its upcoming
play Revelations will debut on October 25 ,2023 online at http://opendoorplayhouse.org
Eva, an aging woman, attends Confession a few weeks after her mother’s passing, to
share and reflect with her parish priest her troubled relationship with her mother and siblings. Most important to Eva, is a recent discovery about her past shortly before her mother’s passing.
Bernadette Armstrong directs, and Anne Cooper stars.
Mona Deutsch Miller is the playwright. She is the President of the Association of Los
Angeles Playwrights. Ten of her plays have been produced in the Los Angeles area. Her previous works include The Beating, The Choice of the Rose, The Interpreter and the Shock Jock, Sessions in the Wood, and Violent Seduction.
Revelations is a selection in the Open-Door Playhouse Second Annual Celebration of
Women in Theatre.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown, since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody. In 2023, the play What’s Prison Like was nominated for a Webby Award in the Crime and Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of wo
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 107: Is That All There Is?
Tue, 24 Oct 2023 04:00:00 -0700
A lawyer believes she will be happy once she achieves Partner status at her firm. She
finds, to her chagrin, that this is not so, once she makes Partner. Sexism is only part of it.
Bernadette Armstrong directs. Elaine Mello stars.
Mona Deutsch Miller is the playwright. She is the President of the Association of Los
Angeles Playwrights. Ten of her plays have been produced in the Los Angeles area. Her previous works include The Beating, The Choice of the Rose, The Interpreter, and the Shock Jock, Sessions in the Wood, and Violent Seduction.
Is That All There Is? is a selection in the Open-Door Playhouse Second Annual
Celebration of Women in Theatre.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally.
In 2021 Open-Door Playhouse received a Communicator Award for Content for the
Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime and Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you can listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 19 Oct 2023 00:00:00 -0700
Mom is in declining health, and it will fall to one of three contentious adult sisters to
decide who will assume the duties of family matriarch. Whom shall it be?
Mimi Kmet is the playwright and directs Rhoda Pell, Anna T. Raner, and Suwon Weaver.
The Matriarch is a selection in the Open-Door Playhouse Second Annual Celebration of
Women in Theatre.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast like the 1940s and 1950s radio dramas. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights nationwide and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, the Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you can listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 105: What Love Language Do You Speak?
Tue, 17 Oct 2023 00:00:00 -0700
This play is set during the coronavirus lockdown. Sara has been rendered tense by home
confinement. She loves her husband, but sometimes his occasional insensitivity can drive her nuts.
Bernadette Armstrong directs. Goreti da Silva stars.
Mona Deutsch Miller is the playwright. She is the President of the Association of Los
Angeles Playwrights. Ten of her plays have been produced in the Los Angeles area. Her previous works include The Beating, The Choice of the Rose, The Interpreter and the Shock Jock, Sessions in the Wood, and Violent Seduction.
What Love Language Do You Speak? is a selection in the Open-Door Playhouse Second Annual Celebration of Women in Theatre.
Recorded at Oak House Recording Studio in Pasadena, CA with Sound Engineer David Peters. Sound Editor: David Peters
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s.
The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors, and Directors a creative outlet during the shutdown.
Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 104: The Tower and The Dead Warder in the Room
Wed, 11 Oct 2023 11:00:00 -0700
It's 1536. Anne Boleyn, Queen of England, has been charged with capital crimes and is confined in a cell at the Tower of London. She finds herself, to her distaste, having a peasant as a cellmate and that's not all; To everyone's surprise, there's a dead Warder sharing the cell with them. What might the presence of this corpse portend for the cell's other two occupants? Anne has a plan.
Bernadette Armstrong directs Camille Ameen as Anne Boylen and Sue Gisser as Peasant.
Sandra Cruze is the playwright. Her previous work includes a full-length play (Little Sugar), a short film (The Physics of Killing), a web series (We're Not Dead Yet) and a musical (Moonshine Mamas).
This play is a selection in the Open-Door Playhouse Second Annual Celebration of Women in Theatre.
Recorded at Oak House Recording Studio in Pasadena, CA with Sound Engineer David Peters.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 10 Oct 2023 00:00:00 -0700
During the pandemic lockdown, an isolated career woman decides to freeze her eggs. She wants to plan for whatever contingency the future holds.
Bernadette Armstrong directs. Kim Hlavac stars.
Julia Stier is the playwright. A graduate of USC, her play Last Night in Town was produced in New York. She is a critic for Stage Raw and produced its podcast series, Stages of Our City. She is the creator of the blog Players, Performers, and Portrayers. Julia is also an actor and has appeared frequently on Los Angeles stages.
Eggs is a selection in Open-Door Playhouse's 2nd Annual Celebration of Women in Theatre.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What's Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 102: I'm Not Alice In Wonderland
Wed, 04 Oct 2023 00:00:00 -0700
Open-Door Playhouse continues to present short plays in podcast form.
http://opendoorplayhouse.org
Melissa declared her independence from her boyfriend and set off on her own to become a successful Hollywood agent. Now she wants get Michael back. When her plans to recover him meet with an unforeseen impediment, she knows just how to handle the situation.
Miranda Stewart directs. Whitton Frank stars.
Sarah Hunter is the playwright. Her previous plays include Dogs Are Better Than People and Escape from the Garden. She co-created a web series, We’re Not Dead Yet.
I’m Not Alice in Wonderland is a selection in Open-Door Playhouse’s second annual
Celebrating Women in Theatre.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the
Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 101: She Was Dick's Tracie
Wed, 20 Sep 2023 00:00:00 -0700
This play is part of Open-Door Playhouse’s second annual Celebrating Women in
Theatre.
Red, a dynamite redhead is found lying in a pool of her own blood in a back alley. Senior
Detective Harry and his Assistant Jack and a coroner all called are called to the scene to solve her murder: unknowingly each of them have a connection to the recently deceased.
Bernadette Armstrong directs a cast that includes Gary Lamb, David Purdham, Peter
Bonoff and Maureen Davis.
Sandra Cruze is the playwright. Her previous work includes a full-length play (Little
Sugar), a short film (The Physics of Killing), a web series (We’re Not Dead Yet) and a musical(Moonshine Mamas).
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or b
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 06 Sep 2023 05:00:00 -0700
OPEN-DOOR PLAYHOUSE CELEBRATES ITS 100 TH PODCAST WITH A NEW PLAY,
Open-Door Playhouse continues to present short plays in podcast form. Its 100th podcast presents Amusing Willie.
Wille, a British playwright, quickly learns that everybody is a critic as he tries to
convince his three female muses that his new play about “star-crossed” lovers is terrific! The muses remind him of past works where he ignored their advice, and of the unhappy outcomes each suffered as a result.
Rachel Berney Needleman directs a cast that includes Kenajuan Bentley, Gita Reddy,
Nicole Javier and Desiree Mae Jung.
Donald Loftus is the playwright of Amusing Willie. He is also a librettist and lyricist.
Based in New York, he serves on the board of the Dramatists Guild Foundation. His full-lengthworks include The Archway; Driftwood; Per; The Springvale Armadillo; and (with AndrewSussman) the musicals Abbey Victoria and Pollyanna. Loftus is the recipient of the W. Keith Hedrick National Playwriting Award.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door
Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouselaunched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights,
Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound
effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductibl
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 23 Aug 2023 00:00:00 -0700
Susan struggles with her mother's Alzheimer's, as they navigate the new chapter of life together, living in her childhood home.
Barren Landscape was written by Steve Gold, and directed by Bernadette Armstrong, starring Ayla Rose Barreau as Susan and Rosemary Thomas as her mother, Susa.
Do you like Krispy Kreme Doughnuts?
Open-Door Playhouse is participating in the Krispy Kreme Digital Dozens Campaign to raise funds for our upcoming podcast productions. All funds help pay for all aspects of the plays: Actors, Directors, and Tech.
If you would like to purchase a dozen, delicious Krispy Kreme Doughnuts and at the same time support the Open-Door Playhouse Podcast, this is a fun and tasty way to do it.
Go to our campaign page here https://www.groupraise.com/offer-campaigns/12253# get-your-dozens order your dozen and swing by your nearest Krispy Kreme location to pick them up.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 22 Aug 2023 07:00:00 -0700
Quinn (they/them) spends their nights living in the past, reliving their younger years
through dreams. As they reopen old wounds, they find the only way to heal is to come face to face with their younger self.
Yesterday written by Morgan James, directed by Kim Hlavac starring Leah Jarvik as Younger Quinn and Emily Ellsworth as Older Quinn.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 25 Jul 2023 08:00:00 -0700
Donnie just wants to get into his car and go to work when, much to his surprise he's stopped by a smiling and cheery intruder in his garage: Blair, a government official, no less. What does this portend for Donnie?
Garage Invasion, written by Rex MacGregor, directed by Bernadette Armstrong starring Natalie Venturi as Blair and Justice Davis as Donnie.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 12 Jul 2023 06:00:00 -0700
A recently hired Substitute teacher is surprised to find a loaded handgun in a desk drawer when she reports to school on her first day. Concerned, she makes a hurried call to the office and is informed by the office administrator that after a rash of mass school shootings in local schools the city council has passed a bill that will allow teachers to arm themselves to protect themselves and their students.
Bernadette Armstrong directs Elaine Mello stars as Rachel Holcomb and Rhoda Pell stars as Detective Joan Fredericks.
Hoyt Hilsman is the playwright. The prolific writer’s plays have been in collected in three themed volumes: family, history and politics. He is a current member and past president of the Los Angeles Drama Critics Circle.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 95: That Day is Coming, Every Day is Coming
Wed, 28 Jun 2023 11:00:00 -0700
That Day Is Coming, Every Day Is Coming is a short play intended for audio-only formats. Two older gentlemen, longtime gamblers and friends, meet for their regular $100/$200 cribbage match. Over this routine card game, the men, never referred to by name until the play's conclusion, initially discuss benign concerns within their gambling circles but soon begin considering larger issues. The talk turns to notions of time, existence, and purpose until the older of the pair confesses that he has terminal cancer. This admission refocuses the lens of their conversation and uneasily points it squarely upon them. That Day Is Coming, Every Day Is Coming contemplates some weightier philosophical issues through the filter of everyday vernacular. Dennis Gersten directs actors Allan Wasserman, James Calvert and Stephen Gillikin.
Cameron Scott sold his first short story while an undergrad at New York University. He has since created brand campaigns for over 100 Broadway plays and musicals and has recently turned to writing plays of his own. His one-act drama Uphill was an official selection in Legacy Theatre’s Play Reading Festival this past September. It was subsequently produced by Wilmington Drama League where it won Best in Festival and later represented the winning play from Delaware at ESTAFest 2023 (Eastern States Theater Association). Scene Ten from Uphill will be published later this year in The Best Men’s Stage Monologues 2023 (Smith & Kraus).
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 94: A Falling Star at Buzzard's Roost - Episode 4
Tue, 13 Jun 2023 16:00:00 -0700
(Hollywood, CA) On June 13, 2023, the classic American radio show gets a modern twist, as TV, Broadway and Rock starsjoin forces for the new musical: A FALLING STAR AT BUZZARD'S ROOST. Non-profit radio theatre company OPEN-DOOR PLAYHOUSE -- a 501c3 giving voice to new writers and actors -- proudly premieres this show, sponsored in part byShure Audio International and produced by Stage For A New Age (in cooperation with We Make Movies Productions). A FALLING STAR AT BUZZARD'S ROOST is the tale of a microphone, a meteorite and true love that transcends time! The story is set in a combination drive in/diner in Sylacauga, Alabama that famously shows the worst sci-fi movies ever made and boasts a small piece of a meteorite that historically fell on Anne Hodges in 1954. When Gabby's best friend Mo brings her Hollywood band The Flutterbyes to town, they plug in a vintage microphone once used by Elvis that mysteriously opens a wormhole in space and transports the cast back in time. Will Gabby learn hidden secrets of her family’s past? Will Mo find love at first sight? How will Gabby, Mo and The Flutterbyes find their way back home to 2023? How did real life suddenly become another bad sci-fi movie? Running just under 90 minutes, A FALLING STAR AT BUZZARD'S ROOST, is divided into four episodes (with ridiculous commercials) to allow fans to listen wherever and whenever they can.Open-Door Playhouse is a 501c3 organization, donations are tax-deductible. .
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 94: A Falling Star at Buzzard's Roost - Episode 3
Tue, 13 Jun 2023 11:00:00 -0700
(Hollywood, CA) On June 13, 2023, the classic American radio show gets a modern twist, as TV, Broadway and Rock starsjoin forces for the new musical: A FALLING STAR AT BUZZARD'S ROOST. Non-profit radio theatre company OPEN-DOOR PLAYHOUSE -- a 501c3 giving voice to new writers and actors -- proudly premieres this show, sponsored in part byShure Audio International and produced by Stage For A New Age (in cooperation with We Make Movies Productions). A FALLING STAR AT BUZZARD'S ROOST is the tale of a microphone, a meteorite and true love that transcends time! The story is set in a combination drive in/diner in Sylacauga, Alabama that famously shows the worst sci-fi movies ever made and boasts a small piece of a meteorite that historically fell on Anne Hodges in 1954. When Gabby's best friend Mo brings her Hollywood band The Flutterbyes to town, they plug in a vintage microphone once used by Elvis that mysteriously opens a wormhole in space and transports the cast back in time. Will Gabby learn hidden secrets of her family’s past? Will Mo find love at first sight? How will Gabby, Mo and The Flutterbyes find their way back home to 2023? How did real life suddenly become another bad sci-fi movie? Running just under 90 minutes, A FALLING STAR AT BUZZARD'S ROOST, is divided into four episodes (with ridiculous commercials) to allow fans to listen wherever and whenever they can.Open-Door Playhouse is a 501c3 organization, donations are tax-deductible. .
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 94: A Falling Star at Buzzards Roost - Episode 2
Tue, 13 Jun 2023 11:00:00 -0700
(Hollywood, CA) On June 13, 2023, the classic American radio show gets a modern twist, as TV, Broadway and Rock stars join forces for the new musical: A FALLING STAR AT BUZZARD'S ROOST. Non-profit radio theatre company OPEN-DOOR PLAYHOUSE -- a 501c3 giving voice to new writers and actors -- proudly premieres this show, sponsored in part by
Shure Audio International and produced by Stage For A New Age (in cooperation with We Make Movies Productions). A FALLING STAR AT BUZZARD'S ROOST is the tale of a microphone, a meteorite and true love that transcends time! The story is set in a combination drive in/diner in Sylacauga, Alabama that famously shows the worst sci-fi movies ever made and boasts a small piece of a meteorite that historically fell on Anne Hodges in 1954. When Gabby's best friend Mo brings her Hollywood band The Flutterbyes to town, they plug in a vintage microphone once used by Elvis that mysteriously opens a wormhole in space and transports the cast back in time. Will Gabby learn hidden secrets of her family’s past? Will Mo find love at first sight? How will Gabby, Mo and The Flutterbyes find their way back home to 2023? How did real life suddenly become another bad sci-fi movie? Running just under 90 minutes, A FALLING STAR AT BUZZARD'S ROOST, is divided into four episodes (with ridiculous commercials) to allow fans to listen wherever and whenever they can.
THE CAST:
• Comedy greats Dave Foley (KIDS IN THE HALL, NEWS RADIO, YOUNG SHELDON) and Gary Anthony Williams (RENO 911, THE OUTLAW JOHNNY BLACK, BOONDOCKS);• TV bad boy/hearthrob Antonio Jaramillo (MAYANS M.C., SHADES OF BLUE);
• Broadway actresses Crissy Guerrero (IN THE HEIGHTS), Kacee Clanton (A NIGHT WITH JANIS) and Maureen Davis (INTO THE WOODS)
• LA theatre royalty, Aaron Lyons (PULP SHAKESPEARE);
• Newly-infamous all girl, all star sextet THE FLUTTERBYES (Maureen Davis, Sonia Sanchez, Claire Gohst, Paula Keane,
Emi Desire, Roni Lee) whose collective concert credits include DICK DALE, BERLIN, VAN HALEN, JOAN JETT, BIG BAD
VOODOO DADDY, DEKE DICKERSON, JAMES INTVELD and BIG SANDY.
A FALLING STAR AT BUZZARD'S ROOST was recorded at Studiopolis in Los Angeles by acclaimed voiceover engineer
Bryan Showalter and veteran voiceover artist and director Richard
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 94: A Falling Star at Buzzard's Roost - Episode 1
Tue, 13 Jun 2023 07:00:00 -0700
(Hollywood, CA) On June 13, 2023, the classic American radio show gets a modern twist, as TV, Broadway and Rock stars join forces for the new musical: A FALLING STAR AT BUZZARD'S ROOST. Non-profit radio theatre company OPEN-DOOR PLAYHOUSE -- a 501c3 giving voice to new writers and actors -- proudly premieres this show, sponsored in part by
Shure Audio International and produced by Stage For A New Age (in cooperation with We Make Movies Productions). A FALLING STAR AT BUZZARD'S ROOST is the tale of a microphone, a meteorite and true love that transcends time! The story is set in a combination drive in/diner in Sylacauga, Alabama that famously shows the worst sci-fi movies ever made and boasts a small piece of a meteorite that historically fell on Anne Hodges in 1954. When Gabby's best friend Mo brings her Hollywood band The Flutterbyes to town, they plug in a vintage microphone once used by Elvis that mysteriously opens a wormhole in space and transports the cast back in time. Will Gabby learn hidden secrets of her family’s past? Will Mo find love at first sight? How will Gabby, Mo and The Flutterbyes find their way back home to 2023? How did real life suddenly become another bad sci-fi movie? Running just under 90 minutes, A FALLING STAR AT BUZZARD'S ROOST, is divided into four episodes (with ridiculous commercials) to allow fans to listen wherever and whenever they can.
THE CAST:
• Comedy greats Dave Foley (KIDS IN THE HALL, NEWS RADIO, YOUNG SHELDON) and Gary Anthony Williams (RENO 911, THE OUTLAW JOHNNY BLACK, BOONDOCKS);• TV bad boy/hearthrob Antonio Jaramillo (MAYANS M.C., SHADES OF BLUE);
• Broadway actresses Crissy Guerrero (IN THE HEIGHTS), Kacee Clanton (A NIGHT WITH JANIS) and Maureen Davis (INTO THE WOODS)
• LA theatre royalty, Aaron Lyons (PULP SHAKESPEARE);
• Newly-infamous all girl, all star sextet THE FLUTTERBYES (Maureen Davis, Sonia Sanchez, Claire Gohst, Paula Keane,
Emi Desire, Roni Lee) whose collective concert credits include DICK DALE, BERLIN, VAN HALEN, JOAN JETT, BIG BAD
VOODOO DADDY, DEKE DICKERSON, JAMES INTVELD and BIG SANDY.
A FALLING STAR AT BUZZARD'S ROOST was recorded at Studiopolis in Los Angeles by acclaimed voiceover engineer
Bryan Showalter and veteran voiceover artist and director Richard
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 24 May 2023 17:00:00 -0700
In the short play How We Heal, Andrea is a 30-something woman who uses a chakra yoga meditation to tell the story of her past and how she's turned experiences of abuse over in her mind to heal. She addresses her parents and ex-boyfriends from childhood through young adulthood on her journey to realizing she was always okay, exactly as she was.
Written by Amanda ReCupido and directed by Rachel Berney Needleman staring Monique Gonsalves as Andrea, Camilla Ameen as Mom , David Purdham as Dad and Peter Bonoff as Max.
Plays are produced by Bernadette Armstrong at The Oak House Studio in Altadena, CA with Sound Director David Peters.
Open-Door Playhouse is a 501c3 organization, donations are tax-deductible.
Thank you for your support.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 23 May 2023 16:00:00 -0700
The Librarian, Mark Chester, is called to speak before the Sunny Valley Middle School Board of the to discuss his recent purchases for the students. The Librarian storyline echoes recent news headlines across the country.
The Librarian written by Hoyt Hilsman, directed by Kim Hlavac, and starring Dalia Vosylius as Board Chair and JD Cullum as Mark Chester.
Our plays are produced by Bernadette Armstrong, recorded at Oak House Studio in Altadena, CA, mixed and designed by our talented Sound Engineer David Peters
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 91: Woman on the 97th Floor
Mon, 24 Apr 2023 15:00:00 -0700
About the short play Woman on the 97th Floor: There was an image, burned into the minds of some Americans on September 11th, when a man and a woman leapt out of an office window of one of the Twin Towers. They were holding hands. This is a fictionalized account of what may have happened, or what some people did that day, the moment before. It is a play about choice.
Woman on the 97th Floor was written by Susan Kelejian, directed by Bernadette Armstrong, starring Gloria Tsai as Woman and Michael Fletcher as John Washington.
Susan Kelejian's previous plays include The Tragedy of Boudicca, The Belles of Bedlam, and Drive. She is the founder of the Ojai Valley Artists Theatre Ensemble. She is also an actor, director and licensed psychotherapist
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Mon, 10 Apr 2023 12:00:00 -0700
In the short play Dress Blues, two young men, Christopher and Nicholas are partners in The Peak of Chic Boutique, a high-end clothing store on a fashionable street in Boston. A wealthy customer, Mrs. Simmons, wants to make a purchase, but her emotional distress makes things difficult. The middle-aged woman wants something that will make her look her absolute best, so that her husband won’t be distracted by the pretty young things in his office. In addressing Mrs. Simmons’ concerns, Nicholas will have to come up with a resolution that gives new meaning to the term “retail therapy.”
Open-Door Playhouse founder and artistic director Bernadette Armstrong directs a cast that includes Kim Hlavac, Matthew Scott Montgomery and Michael Fletcher.
Donald Loftus is the playwright. His previous full-length plays include The Springvale Armadillo, Per, Driftwood, and The Archway. Based in New York, he sits on the Board of Directors of the Dramatists Guild Foundation
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 28 Mar 2023 14:00:00 -0700
Coen's comedy/drama Flesh and Blood is set in a Jewish cemetery in Queens, N.Y. It is pre-dawn. Three headstones have been marked with swastikas. Shelia Krickstein appears and crosses to the desecrated grave of her mother. She’s looking for the caretaker who called her with the news, but instead, encounters an older grieving woman in 50s attire and, later, a judgmental Rabbi. Pregnant, overdue, abandoned by her husband, and scarred by her upbringing, Shelia has little patience with these unwelcome representatives of a culture that she believes has failed her. As tensions rise, and her long repressed grievances emerge, Shelia suddenly finds herself in an unexpected moment of spiritual and physical salvation.
Flesh and Blood was written and directed by Dana Coen staring Lisa Robins as Shelia Krickstein, Sharron Shayne as Joy Levine, Alex Wasserman as Hy Graber, and Anne Cooper as Rose Krickstein. Produced by Bernadette Armstrong, mixed by Sound Engineer David Peters at Oak House Studio in Altadena, CA.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 15 Mar 2023 10:00:00 -0700
In the short play (con)fusion, Dan is a good man and Sadie is a lovely lady. Alas, they are both human and have fallen prey to the rituals and routines that eventually befall all those in relationships: they have stopped communicating with each other. They talk at each other, not to each other, repeating the to-do lists that occupy space in their minds. Now the bedroom, a sanctuary for seduction, has become a refuge of rejection between them. They bolt out of bed into the societal roles that entrap them until eventually they end up in the arms of strangers.
Mark Dylan Brown is the playwright. His previous plays include The Midsagittal Waltz, Simulating Flight, and Rosetta Stoned. He attended the UCLA School of Theater, Film & Television.
Bernadette Armstrong directs a cast that includes Cynthia Gravinese Brown as Sadie, Jeffrey L. Johnson as Dan, Leah Jarvik the Bartender and Gareth Williams as the Old Man.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 23 Feb 2023 15:00:00 -0800
In the new short play, The Visit, Susan, a young housewife is just getting back to her normal routine after suffering a miscarriage. While getting back into housekeeping duties she receives a surprise wellness check from a representative from the emergency clinic where she and her husband rush to on the night of her miscarriage.
At first, she is touched by the thoughtfulness of the visit, but as the questions about her condition seem to run a bit off course, her feelings about the visitors inquiries take a more sinister turn.
Written by Hoyt Hilsman and Directed by Rachel Berney Needleman, starring Goreti da Silva as Vicky and Barika Phillips Bell as Susan.
The Visit was recorded at The Oak House Studio in Altadena, CA, Sound Engineer David Peters.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 15 Feb 2023 11:00:00 -0800
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 85: Six Italians, Seven Fishes
Wed, 14 Dec 2022 00:00:00 -0800
In the play, Six Italians, Seven Fishes, an Italian-American family is gathered at the home of Joe and Marie for Christmas Eve dinner prior to Midnight Mass. Dinner (the seven fishes, a family tradition) is on hold because Vinnie and his Polish wife Peony have not yet arrived. The hours drag by, and Vinnie and Peony are still missing. Has something happened to them? Are they all right? Will the family ultimately be together for Christmas Eve dinner?
Bernadette Armstrong, the founder of Open-Door Playhouse, directs a cast that includes Elaine Mello, David Purdham, Anne Cooper, Gary Lamb, Natalie Eleftheriadis, Michael Fletcher, Oscar Maldonado and Leah Jarvik.
Patricia Motto is the playwright. This is the fourth of her plays being presented by Open-Door Playhouse.
Open-Door Playhouse will present this play in podcast form starting Wednesday,
December 14.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse
launched in September 2020, in response to the Covid-19 pandemic, when playwrights had nowhere to produce their plays and actors were left without a creative outlet. Since its inception, Open-Door Playhouse has presented over 80 new short and one-act plays, with no limit in sight. Plays are produced by Bernadette Armstrong, with assistance from Associate Producer Laree Griffith and. sound engineer David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 84: The Christmas Goat
Wed, 07 Dec 2022 06:00:00 -0800
Goat is disconsolate. There’s a Nativity Scene being mounted for public display at Christmastime. Goat has been shut out of it because there was no goat present at the time of the historical Nativity. Goat’s barnyard pal, Pig, has figured out a way for Goat to be the G.O.A.T. (Greatest Of All Time) participant in the Christmas festivities this year. Can you guess what Pig has planned for Goat?
Kim Hlavac directs a cast that includes Sue Gisser, James P. Gleason, Daamen Krall, Jeffrey S.S. Johnson, and Camille Ameen.
Dwayne Yancey is the playwright. The author of literally dozens of plays, he is also a journalist and novelist. He hails from the Blue Ridge Mountains of Virginia.
Open-Door Playhouse is a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented over 70 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to
everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 83: PART 2 - Just Playin'
Thu, 24 Nov 2022 00:00:00 -0800
Lee Franklin’s play Just Playin’ PART 1 focuses on a group of men at a rustic cottage in Maine celebrating the 25th Anniversary of their regular poker game. PART 2 The next day, their wives (in one case, an ex-wife) gather at the same cottage (after the guys have left) to play Mahjong. The Mahjong game is also marking its 25th Anniversary.
Part One is directed by Dennis Gersten and stars, David Purdham, Gary Lamb, Rick Friesen, Allan Wasserman, and Jimmy Gleason.
Part Two, debuting November 23, will depict the Mahjong game. Both parts will continue to be available on the Open-Door Playhouse website. Part Two is directed by Rachel Berney-Needleman and stars Elizabeth Wells, Alexis Genya, Anne Cooper, Noelle Evangelisti, and Rosemary Thomas.
Open-Door Playhouse is a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers.If you would like to make a donation and support our podcast,
you can go here.
The team behind the mic, Producer and founder of Open-Door Playhouse Bernadette Armstrong, Assoc Producer Laree Griffith who manages our website and newsletter.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 82: PART ONE - Just Playin'
Wed, 16 Nov 2022 00:00:00 -0800
Lee Franklin’s play Just Playin’ focuses on a group of men at a rustic cottage in Maine
celebrating the 25th Anniversary of their regular poker game. The next day, their wives (in one case, an ex-wife) gather at the same cottage (after the guys have left) to play Mahjong. The Mahjong game is also marking its 25th Anniversary.
The longevity of these activities suggests that the participants are not kids. These people, boomers all, are in fact seniors. The things that they talk about during the course of their games include what you would expect from people of their generation: aging, their gradual physical decline, sex, memory issues, their grandchildren, the senility and demise of relatives from the generation that preceded them, and concerns of their own mortality. The one divorced man, tormented by regret, is experiencing clinical depression.
What these men and women have are the friendship and genuine regard that they have for each other. None of them will have to face their difficulties alone.
Lee Franklin is the playwright. The UConn graduate resides in Maine. His previous plays include The Sea Nest, Isaac, and The Thesis. A member of the Dramatists Guild, he is also an actor and director.
Open-Door Playhouse is a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented over 70 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, yo
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 81: Just Another Day At The Zoo
Wed, 09 Nov 2022 00:00:00 -0800
In the short play Just Another Day at the Zoo, we’re introduced to two characters, Cell Phone and Old School. They’re from different generations and different worlds. Meeting at a park bench, they begin to engage in conversation but perceive that the cultural gaps between them are formidable.
Can these two polarized figures possibly bond?
The metaphors for the larger conversations that we are having in the 21 st Century are apparent.
The playwright is Leo Cardez, which is a pseudonym for an incarcerated writer. The play is being presented as part of Open-Door Playhouse's collaboration with the PEN America Prison Writing Program.
Cardez says, “This is not based on a true story. It is inspired by many.” He suggests that his piece is (freely) adapted from Edward Albee’s The Zoo Story, although the earlier play is more of a jumping-off point.
Open-Door Playhouse founder and Artistic Director Bernadette Armstrong directs Just Another Day at the Zoo.
Amir Abdoulla portrays Cell Phone. Daamen Krall plays Old School.
Open-Door Playhouse is presenting Just Another Day at the Zoo online in podcast format, starting November 9, 2022.
Open-Door Playhouse is a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented over 70 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations hel
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 80: PART 3 - Penny Slots, Ladies Fly Home to Vero Beach
Thu, 27 Oct 2022 05:00:00 -0700
Penny Slots Part 3, Ladies Fly Home to Vero Beach.. Written and directed by Kim Hlavac. Starring Victoria Hoffman, Marla Cotovsky, Carole Goldman, Goreti da Silva, Amy Marcs, and Kim Hlavac.. The Three Penny Slots Ladies have arrived from Rome, mishap-free, in Miami from their first class all-expense paid Good Morning America Italian Riviera Cruise. After clearing customs, we catch up with them boarding a private plane for their last leg to Vero Beach Regional Airport. Can these sassy three senior citizens survive the one-hour and eight-minute flight without chaos? Maybe or maybe not. Let’s see.........
Listen to Penny Slots Part 1
Listen to Penny Slots Part 2
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world w
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Fri, 21 Oct 2022 00:00:00 -0700
Spell. Written by Barbara Blatner. Directed by Bernadette Armstrong. Starring Sue Gisser, Christine Uhebe and Whitton Frank. A piece in verse. In this sequel to The Tempest, Ariel and Caliban contemplate revenge on Prospero.
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 78: It Comes with the Dinner Special
Thu, 20 Oct 2022 02:00:00 -0700
It Comes with the Dinner Special. Written by Susan Bachner. Directed by Rachel Berney Needleman. Starring JayCee Porter, Zelda Kimble, and Sienna Tso
Lisa and Jen are best friends. But are they, really?
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 77: Night In The Desert
Tue, 18 Oct 2022 00:00:00 -0700
Night in the Desert. Written by Virginia Linden. Directed by Shelley Curtis. Starring Kim Hlavac, Virginia Linden and Amy Marcs. Three women have an adventure camping in the wild.
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 13 Oct 2022 00:00:00 -0700
Used. Written by Leslie Tall Manning. Directed by Joanne McGee-Lamb. Starring Sonja Alarr, Morgan Hill, Elizabeth Wells and Joanne McGee. Items in a thrift store wonder about their future fates.
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 12 Oct 2022 00:00:00 -0700
Moments. Written and directed by Bernadette Armstrong. Starring Goreti da Silva and Elaine Mello. A woman newly traumatized by a road rage incident calls her therapist.
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 74: The Near-Death Laundry Chute Experience
Tue, 11 Oct 2022 00:00:00 -0700
The Near-Death Laundry Chute Experience. Written by Patricia Motto. Directed by Miranda Stewart. Starring Joyce Hananel. A woman is confounded by a contraption.
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 06 Oct 2022 08:00:00 -0700
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 04 Oct 2022 00:00:00 -0700
Written by Karen McKivitt. Directed by Rachel Berney Needleman. Starring Natalie Elefheriadis and Mae Aswell. A female attorney searching for a pay phone will find more than she expects.
October Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio Jungle, music from Karaoke Version.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 71: Shakespeare's Heroines at The Gynecologist
Wed, 28 Sep 2022 09:00:00 -0700
Shakespeare’s Heroines at the Gynecologist. Written by Chriselle Almeida. Directed by Bernadette Armstrong. Starring Goreti da Silva, Gloria Tsai, Camille Ameen, Barika Phillips Bell and Chriselle Almeida. Ophelia, Juliet, Lady Macbeth and Desdemona meet Viola at the doctor’s office.
Celebrating Women in Theater is being presented by Open-Door Playhouse, a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 67 new short plays, with no limit in sight.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 17 Aug 2022 07:00:00 -0700
In the new play Breakable, Conner has flown out from distant California to visit his sister.
Jennifer in a long-term care facility. She has short-term memory issues and is clearly in the early stages of Alzheimer’s disease. Conner asserts his love for his sister and clearly feels guilty about having been so far away while his sister has descended into a need for more attention and care.
Will Conner be in time to re-establish the family bond with his sister? Barry Papick is the playwright. His other scripts include Ruby’s Arms and Pearl.
The cast of Breakable includes Barry Papick (as Conner), Kim Hlavac (as Jennifer), Leah Jarvik and Justice Davis.
Bernadette Armstrong directs. Her own plays include The Reading Group (LA Weekly
Pick of the Week), Simple Lives (Valley Theatre Award nominee), Custody, and more. Breakable is being presented by Open-Door Playhouse., a podcast created to introduce
new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker.
Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in response to the
fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving
playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and
emerging writers. Since its inception, Open-Door Playhouse has presented 66 new short plays, with no limit in sight.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 69: PART 2 - Rainbow Girls Detective Agency
Wed, 03 Aug 2022 06:00:00 -0700
RAINBOW GIRLS DETECTIVE AGENCY STARTS JULY 27 AT OPEN-DOOR PLAYHOUSE
Christmas time is approaching, and half-siblings Poppy and Faith, are the two young women called the Rainbow Girls. Despite their own romantic troubles, their main concern is for their vibrant, smart, pretty mom. Twice divorced, she still dreams wistfully about her first love, the man she calls The Poet. The Girls are determined not to let another Christmas pass without their mother having romance in her life. So, the Rainbow Girls Detective Agency sets about looking for The Poet….and they find him! The thing is, he’s now a troubled ex-convict who’s not all that eager to get back with the Suzy he lost all those years ago.
Can the Rainbow Girls Detective Agency possibly bring these two soulmates back together again?
This play is being presented in two parts by Open-Door Playhouse., a podcast created to
introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves in
response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse
supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 65 new short plays with no limit in sight.
Matthew Mendoza is the playwright. An incarcerated artist, he juries prison writing for Evening Street Review. His previous plays include Freedom Feather and What’s Prison Like. He has won awards from American Short Fiction and PEN America.
Bernadette Armstrong directs. Her own plays include The reading Group (LA Weekly Pick of the Week), Simple Lives (Valley Theatre Award nominee), Custody, and more.
The cast of Rainbow Girls Detective Agency includes Robert Pollock, Gena Kay, Barika Phillips Bell as, and Ayla Rose Barreau.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio-Jungle, music from Karaoke Version.
Starting July 27, 2022, you can access the podcast of part one of Rainbow Girls Detective
Agency.at the Open-Door Playhouse website, where you
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 68: PART 1 - Rainbow Girls Detective Agency
Tue, 26 Jul 2022 11:00:00 -0700
RAINBOW GIRLS DETECTIVE AGENCY STARTS JULY 27 AT OPEN-DOOR PLAYHOUSE
Christmas time is approaching, and half-siblings Poppy and Faith, are the two young women called the Rainbow Girls. Despite their own romantic troubles, their main concern is for their vibrant, smart, pretty mom. Twice divorced, she still dreams wistfully about her first love, the man she calls The Poet. The Girls are determined not to let another Christmas pass without their mother having romance in her life. So, the Rainbow Girls Detective Agency sets about looking for The Poet….and they find him! The thing is, he’s now a troubled ex-convict who’s not all that eager to get back with the Suzy he lost all those years ago.
Can the Rainbow Girls Detective Agency possibly bring these two soulmates back together again?
This play is being presented in two parts by Open-Door Playhouse., a podcast created to
introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves in
response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse
supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 65 new short plays with no limit in sight.
Matthew Mendoza is the playwright. An incarcerated artist, he juries prison writing for Evening Street Review. His previous plays include Freedom Feather and What’s Prison Like. He has won awards from American Short Fiction and PEN America.
Bernadette Armstrong directs. Her own plays include The reading Group (LA Weekly Pick of the Week), Simple Lives (Valley Theatre Award nominee), Custody, and more.
The cast of Rainbow Girls Detective Agency includes Robert Pollock, Gena Kay, Barika Phillips Bell as, and Ayla Rose Barreau.
Producer: Open-Door Playhouse. Sound engineer: David Peters. Recorded at The Oak House Studio in Altadena, CA. Sound Effects provided by Audio-Jungle, music from Karaoke Version.
Starting July 27, 2022, you can access the podcast of part one of Rainbow Girls Detective
Agency.at the Open-Door Playhouse website, where yo
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 67: Annie and Frannie Go To The Funeral
Wed, 13 Jul 2022 06:00:00 -0700
ANNIE AND FRANNIE GO TO A FUNERAL OPENS JULY 13 AT OPEN DOOR PLAYHOUSE
In this short play, Annie and Frannie Go to a Funeral, just like the title says. The funeral is for Artie, Annie’s husband and her first love. The marriage was not always happy, particularly after the tragic death of their son. Annie is there to say goodbye. Frannie is there as Annie’s friend. But Annie and Frannie are more than friends. Now that Artie will be out of the way, will Annie and Frannie be able to have a life together of their own choosing?
This short play is being presented by Open-Door Playhouse., a podcast created to introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves in response to the fact that theatres were shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has presented 64 new short plays with no limit in sight.
Don Goodrum is the playwright. With a decade-long theatre career, he has written many plays and taught theatre, following a long radio career. He is retired and living in Florida but continues to write. He is an alumnus of Mississippi College.
Kim Hlavac directs. A graduate of SUNY Purchase, she is also a playwright and actor. She has performed in plays in New York and on TV (including the daytime drama Another World) and has been active with the stage companies VS Theater and Station House.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 66: Escape From Cottage Woods
Wed, 29 Jun 2022 08:00:00 -0700
In the short play Escape from Cottage Woods, Macie, 94, is a longtime resident of a
retirement community in a bucolic setting in North Carolina. Lily, her daughter, believes that
Macie is being overmedicated into a compliant, zombified state by the establishment’s staff.
Macie and Lily have some unresolved mother-daughter issues.
This short play is being presented by Open-Door Playhouse., a podcast created to
introduce new plays, new writers, and a wealth of unknown talent. Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse brings plays to the airwaves, in
response to the fact that many small theatres have been shuttered all over the country due to the Covid-19 pandemic, leaving playwrights with nowhere to produce their plays. Open-Door
Playhouse supports new and emerging writers. Since its inception, Open-Door Playhouse has
presented 63 new short plays, with no limit in sight.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 65: PART TWO - Trouble
Wed, 15 Jun 2022 00:00:00 -0700
Calamity was formed in 2013 in Crest, Ca. with founding members Cathryn Beeks, Nisha Catron, and Marcia Claire along with Sierra West, Mary Grasso, and Kim Bishop. Over the years the band has featured Rhythm Rose Turner, Jules Whelpton, Kristen Cusato, Dana Ralston, and Catherine Barnes. The current lineup features Cathryn Beeks, Nisha Catron, Marcia Claire, Patric Petrie, and Jules Stewart. Click on the pics to find out more about them. '
Listen to Part 1: Trouble here.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 64: PART ONE - Trouble
Wed, 01 Jun 2022 00:00:00 -0700
Calamity was formed in 2013 in Crest, Ca. with founding members Cathryn Beeks, Nisha Catron, and Marcia Claire along with Sierra West, Mary Grasso, and Kim Bishop. Over the years the band has featured Rhythm Rose Turner, Jules Whelpton, Kristen Cusato, Dana Ralston, and Catherine Barnes. The current lineup features Cathryn Beeks, Nisha Catron, Marcia Claire, Patric Petrie, and Jules Stewart. Click on the pics to find out more about them.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 18 May 2022 00:00:00 -0700
Open-Door Playhouse is proud to announce The End, an audio play starring Anne Cooper as The End, Joyce Hananel as The Woman; and written by Patricia Motto, and directed by Bernadette Armstrong.
Synopsis for The End: The odds are pretty good that what you most worry about won’t get you. But it’s dead certain something else will.
Open-Door Playhouse is a podcast that supports new and emerging writers by
producing plays in the style of living Radio Plays popular in the 1940s & 1950s.
Open-Door Playhouse is a 501c3 non-profit organization that is supported by listeners
like you through tax-deductible donations.
Recent Reviews on Open-Door Playhouse’s plays:
Podcast News’ Daily Brief: https://bit.ly/3Gc1C1V
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 05 May 2022 09:00:00 -0700
Adagio, an audio play starring Daamen Krall as George Hadley, Camille Ameen as Melenda Dalcourt; and written by Sabrina Rose Bivens, and directed by Bernadette Armstrong.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 61: PART TWO - Penny Slots
Tue, 05 Apr 2022 15:00:00 -0700
Open-Door Playhouse presents the audio play of Penny Slots. It is written and directed by Kim Hlavac.
Listen to Penny Slots Part One
Listen to Penny Slots Part Three
The leading cast features Marla Cotovsky as Marie, Carole Goldman as Kay, and Goreti da Silva as Helen. André Sogliuzzo in Act Two, Scene One as Harold the Homeless Man, in Act Two, Scene Two as The GMA Production Assistant, and in Act Two, Scene Three as Alessandro the Head Waiter. Gareth Williams stars in Act Two Scene One as the Token Booth & Train Conductor, and also in Act Two Scene Three, where he plays himself, Gareth Williams.
Synopsis for Penny Slots: We continue the journey with the three lifetimes of retired NYC seniors, now Floridians, a.k.a. The Penny Slots Ladies. Their previous two infamously newsworthy heroic deeds from Act One land them a full expense paid trip to be guests on Good Morning America to their old stomping grounds in New York City. As they await their highlighted interview on national television, NYC has a different agenda. The next destination is the Italian Riviera, but why? Continue to follow their hilarious journey and banter, and watch more calamities unfold. Go to Open-Door Playhouse Theater 30, to watch the first escapades with Penny Slots Ladies and see why they received their infamous title.
Kim Hlavac (Playwright/Director/Actor) from New York graduated from the infamous High School of Performing Arts, where the movie and television series, FAME, was created. Kim received her BFA in theatre arts and film from SUNY/Purchase under the tutelage of George Morrison and continued with acting mentors including Uta Hagen and Wynn Handman. Kim has performed in various plays in New York, TV & commercials. She has performed in various plays in New York, on television, and in commercials. She is a proud member of the Actors Equity Association and SAG-AFTRA since 1982. This is her third time directing an Open-Door Playhouse Podcast, and her second time
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 30 Mar 2022 00:00:00 -0700
Open-Door Playhouse presents the audio play of VOICES starring Bill Mendieta as Esteem, Saige Spinney as Anger, Heather Taylor as Love; and written by Jonathan Tschudy, and directed by Gary Lamb.
Synopsis for VOICE: A shy, small for his age, young boy struggles to fit into his first year of high school, leaving heavily on his inner voices of Love, Anger and Esteem.
Jonathan Tschudy (Playwright), currently, resides at the Ohio State Department of Rehabilitation and Corrections. His writing came to the attention of Bernadette Armstrong through her association with the PEN America Prison Writing Program.
Gary B. Lamb (Director) has appeared as a stage actor in more than 50 plays and musicals. He recently completed a national tour of Evita as Juan Peron and the title role in Macbeth for Shakespeare at The Castle in Ohio. He has been behind the camera directing several films (including The Box; The Bug A Creepy Comedy; Roommate Rules; and most recently, Fitzwater & Mutton, A Buddy Film). He recently can be heard on a newly released podcast, Dreamland as Bruce; and various voiceovers that include animated series and dubbing on several Columbian Novellas. He also has acted, directed, and produced television and film.
Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of living Radio Plays popular in the 1940s & 1950s. Open-Door Playhouse is a 501c3 non-profit organization that is supported by listeners like you through tax-deductible donations.
Recent Reviews on Open-Door Playhouse’s plays: Podcast News’ Daily Brief for podcasts and on-demand: https://bit.ly/3Gc1C1V Broadway World’s Off-Off-Broadway Shows: Insomnia https://bit.ly/3g5QJUv
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 59: Dolly and Josie Exit A Bar
Wed, 16 Mar 2022 00:00:00 -0700
Open-Door Playhouse presents the audio play of Dolly and Josie Exit A Bar starring Gena Kay as Josie and Bonnie Bailey-Reed as Dolly, and Anonymous as Bartender; written by Wendy Bryan Michaels, and directed by Bernadette Armstrong.
Synopsis for Dolly and Josie Exit A Bar: A woman walks into the same bar she retreats to every night and encounters a strange woman never seen before, sitting at the bar writing in a large book.
Wendy Bryan Michaels (Playwright) is a Los Angeles-based playwright from Miami Beach, Florida. Her plays have been developed by Santa Monica Playhouse, The All Original
Playwrights Workshop (LA), Tina Alexis Allen (NYC), Area Stage (FL), and Creative Group (FL).
She is a member of the Dramatists Guild, Alliance of Los Angeles Playwrights, Female Playwrights Initiative and a writer-in-residence at The Actors Workout Studio. She has received nominations for her comedy writing on the award-winning comedy show, My Sister is So Gay (2016). She is a proud member of the Santa Monica Playhouse’s Writing Collective, a
developmental writer’s lab and new works festival for emerging playwrights of LGBTQ stories.
Bernadette Armstrong (Director) fell in love with small theater and since 2008, she has had
several successful theater projects produced in North Hollywood. Her play, The Reading Group was Pick of the Week by LA Weekly Magazine and in 2017 her play, Simple Lives was
nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards. (She was the only woman nominated.)
Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of living Radio Plays popular in the 1940s & 1950s. Open-Door Playhouse is a 501c3 non-profit organization that is supported by listeners like you through tax-deductible donations.
Recent Reviews on Open-Door Playhouse’s plays:
This Week in NY – THE CANTERVILLE GHOST: https://bit.ly/3HwB1NR
Podcast News’ Daily Brief for podcasts and on-demand: https://bit.ly/3qv8l0Y
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 02 Mar 2022 00:00:00 -0800
Open-Door Playhouse presents the audio play of Corpse Pose starring Brian Graves as Andy, Rachel Bryant as Wendy, Felicia Taylor E. as Brenda, Goreti da Silva as Taywana, Morgan Hill as Carla, and Joanne McGee as Siri; and written by Virginia Youngren, and directed by Joanne McGee. The play will be available online on March 9th, 2022 at Open-Door Playhouse.
Virginia Youngren (Playwright) holds a PhDs in English Literature and Counseling Psychology. She has continued to maintain a long-time practice as a clinical psychologist and psychoanalysis. She is a member of the Association of Certified Fraud Examiners and a student of forensic psychology with an interest in writing about the psychology of crime.
Her films in distribution include but are not limited to Turnover (2019); Dr. Megavolt: From Greek to Superhero Dr. Megavolt (2015); Claudia’s Crescent Kick (Short - 2011); and I Heard The Mermaids Singing! Heard The Mermaids Singing (Short - 2008).
Joanne McGee (Director) has been with Open-Door Playhouse for several shows, as both an actor and director. As an actor, she has played Annie in the Annie and Frannie Go to the Mall, Annie and Frannie Go to the Bar, Babs in Scars, and Frau Schmit in Lost Dog.
She has directed, The Christensen Brothers and A Wake. She has been a professional actor for the last 45 years in regional theater, TV, Film, Commercials, and Voice Overs. She also has been a Director here in LA. for a decade. She has received an Ovation Award for her role as Barbara in Caught in the Net. She has developed a learning program called, Performing Art, for ages 9-90. She is also an art teacher and writer, caregiver, and mom. She has always loved listening to, Radio Theatre, and is so thrilled to be a part of this experience.
Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of living Radio Plays popular in the 1940s & 1950s. Open-Door Playhouse is a 501c3 non-profit organization that is supported by listeners like you through tax- deductible donations. Recent Reviews on Open-Door Playhouse’s plays: Podcast News’ Daily Brief for podcasts and on-demand: https://bit.ly/3Gc1C1V
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 02 Feb 2022 00:00:00 -0800
Open-Door Playhouse presents the audio play of The Calling, a short comedy play starring Anne Cooper as CSR Rep, Rosemary Thomas as Lee; Noelle Evangelisti as First Voice, written by Greg Jones Ellis, and directed by Bernadette Armstrong.
Synopsis for The Calling: Lee tries to “opt-out” of Catholicism but is trapped inside the ultimate phone hell.
Greg Jones Ellis (Playwright) graduated with a BA in Drama (Catholic University) and MA in English Literature (Salisbury University). He is a member of the Dramatists Guild and Alliance of Los Angeles Playwrights. Some accomplishments include the World War II-era comedy (Divinity Place); All Save One (Julie Harris Playwriting Award); Dead Air (Dominion Stage Playwriting Award); Baltimore Playwrights Festival Finalist; Todd McEnerney Award; and Culver City Fever: Scenes from a Show Business Friendship, which centers on the decades-long rivalry between two female actors. Contact Greg: website or email.
The Calling’s Director, Bernadette Armstrong fell in love with small theater and since 2008, she has had several successful theater projects produced in North Hollywood. Her play, The Reading Group was Pick of the Week by LA Weekly Magazine and in 2017 her play, Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards. (She was the only woman nominated.)
Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of living Radio Plays popular in the 1940s & 1950s. Open-Door Playhouse is a 501c3 non-profit organization that is supported by listeners like you through tax-deductible donations.
Recent Reviews from other Plays on Open-Door Playhouse:
This Week in NY – THE CANTERVILLE GHOST: https://bit.ly/3HwB1NR
Podcast News’ Daily Brief for podcasts and on-demand: https://bit.ly/3qv8l0Y
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 56: My Coffee With Andy
Wed, 12 Jan 2022 10:00:00 -0800
Open-Door Playhouse is proud to present My Coffee With Andy, an audio play starring Gary Lamb as Andy, and Dennis Gersten as Walter; written by Steven Doloff, and directed by Dennis Gersten.
My Coffee With Andy: Two old friends, Walter and Andy, meet in a coffee shop for their periodic coffee and catch up. A persistent problem that Walter has long had with Andy but Andy knows nothing of) crops up, and this time prompts a confrontation.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 05 Jan 2022 00:00:00 -0800
Synopsis of Hard Times: Three women find themselves in close quarters after a wild
a night out on the town.
Open-Door Playhouse will present the audio play of Hard Times, a play starring Sue
Gisser as “Rosie”; Ayla Rose Barreau as “Lisa” and Zelda Kimble as “Carol”; written by Chris
McKerracher; adapted for audio by John Hunter and David Hunter; and directed by
Fabiana Medici.
Run for Hard Times is approximately 15 minutes.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 29 Dec 2021 09:00:00 -0800
Open-Door Playhouse presents the audio play of The Woods, a play starring
Matthew Scott Montgomery as Caleb, and Andrew Puente as Adrian; written by
Matthew Scott Montgomery, and directed by Bernadette Armstrong.
Synopsis for The Woods: Two old friends from high school reunite after years apart for
a stroll on New Year’s Eve.
Open-Door Playhouse is a podcast that supports new and emerging writers by
producing plays in the style of living Radio Plays popular in the 1940s & 1950s.
Open-Door Playhouse is a 501c3 non-profit organization that is supported by listeners
like you through tax-deductible donations.
Open-Door Playhouse
info@opendoorplayhouse.org
https://www.opendoorplayhouse.org
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 53: The Night Max Saved Christmas
Fri, 24 Dec 2021 00:00:00 -0800
Open-Door Playhouse will present the audio play of The Night Max Saved Christmas, a play starring Amir Abdullah as “FOUR Detective, Whoville Police”, Gary Lamb as “THREE Detective, Whoville Police”, and Joyce Hananel as “MAX Dog”; and written by E.E. Mathias, and directed by Bernadette Armstrong.
It is a short holiday parody about Christmas Eve and the Grinch’s dog, Max, who sneaks into Whoville on his own to warn two detectives about the Grinch’s plot. Night Max Saved Christmas is a short holiday-themed hypothetical play that reads like a “Law & Order” scene while written in a Seussian meter and rhyme scheme.
Open-Door Playhouses is a 501c3 non-profit organization that is supported by listeners like you.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 52: Yes Twinkie, There is a Santa Claus
Wed, 22 Dec 2021 00:00:00 -0800
Open-Door Playhouse will present the audio play of Yes Twinkie, There is a Santa Claus, a play starring Chris Dorman as “Twinky” and Julia Sanford as “Noelle”; and written by Don Goodrum, and directed by Sophie Goldstein.
It’s time for the end of the year performance reviews at the North Pole, and the Head Elf of Personnel, Noelle Frost has saved the worst for last, Twinky, an Elf with a tragic past and a bad attitude who no longer believes in Santa Claus. Can Noelle help Twinky find his Christmas Spirit, or will it take a Christmas Miracle?
Playwright: Don Goodrum is a stage veteran of almost 50 years. He was born in Tennessee and raised in Mississippi. He got his first taste of the spotlight as “The King of the Calendar” in his second-grade play and after that, he moved on to the church play circuit and managed to turn a Best Actor win in a One Act Play Festival into a theatre scholarship for Mississippi College. After college, he wound up on the radio, a career choice that kept sharpening his comedic and writing skills for the next 25 years. In 2006, he retired from radio and began teaching high school theatre, and started writing once again. He has seen productions of many of his plays throughout the US. He is now retired and lives close to his three grown daughters and their families in Florida.
Director: Sophie Goldstein is a Jewish Chicana from Los Angeles, California, who majored in Theatre Arts and Dance at Cal State Los Angeles, and received her MFA in Physical Theatre from the Accademia Dell’Arte in Arezzo, Italy. She has worked as a director/choregrapher for several theaters around LA. Learn more about her director and choreographer work profile by visiting her website.
Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of living Radio Plays popular in the 1940s & 1950s. Open-Door Playhouse is a 501c3 non-profit organization that is supported by listeners like you through tax-deductible donations.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Mon, 13 Dec 2021 00:00:00 -0800
SANTA'S SECRET was written by Fabiana Medici, and directed by Bernadette Armstrong.
The cast features Elaine Mello as Narrator and Gary Lee Reed as Santa and Boy.
Runtime: 13:44
The play was recorded by ES Audio Studios in Glendale, California with Sound Engineer, Jon Fredette.
This month Open-Door Playhouse will present a series of Holiday plays including:
Santa's Secret by Fabiana Medici
Yes, Twinkie there is a Santa Clause by Don Goodrum
The Night Max Saved Christmas by Ethan Mathias
Support for Open-Door Playhouse comes from listeners like you, your tax-deductible donations help keep our plays on the Radio Stage. We’ve recently launched a Patreon campaign! If you’re a superfan interested in supporting the show and would like to enjoy bonus content - head over to our Patreon Page and join a community that is committed to launching new plays, new writers, and new talent.
If you would simply like to make a donation and support our podcast you can go here.
The team behind the mic, Producer and founder of Open-Door Playhouse Bernadette Armstrong, Assoc Producer Laree Griffith who manages our website and …all else.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 50: The Cousin's Book Club
Wed, 24 Nov 2021 14:00:00 -0800
Starring Kim Hlavac as Margo; Elaine Mello as Elizabeth; Camille Ameen as Mary Alice; Goreti da Silva as Sandra; and JayCee Porter as Barbara.
Written by Patricia Motto
Directed by Bernadette Armstrong.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 16 Nov 2021 07:00:00 -0800
Open-Door Playhouse is proud to announce the opening of METRO, a theatrical audio play starring Justice Davis and Erik Kwasnjuk. The play was written by Cris Eli Blak and directed by Gary Lee Reed.
METRO’s Backstory: Our story takes place in the most foreign of lands, a place that only the bravest of the brave go; where courageous adventurers must put plenty of thought into going. Yes, as you may have suspected, our story takes place in New York City - - the wild concrete jungle
Open-Door Playhouse is a 501c3 organization. Its theater podcasts introduce and showcase new plays, new writers, and a wealth of unknown talent. These podcast episodes are FREE to listen, and download and your donations are greatly appreciated.
To contribute your tax-deductible donations, please visit www.opendoorplayhouse.org/donate.
Theater Reviews From My Seat’s Play Review for Replacement Player and The Christensen Brothers: https://bit.ly/3FH46Gl
METRO’s Writer, Cris Eli Blak, an award-winning and international producer and playwright, has produced, performed, and published works from around the world. He continues to create works that reflect the world that we live in with all of its different and diverse colors, creeds, and cultures.
METRO’s Director, Gary Lee Reed, prior to COVID-19, directed the Gore Vidal play, The Best Man at the Lounge Theatre in Hollywood, and also the critically acclaimed All My Sons for the Theatre Planners. Other Theatre Planners directing credits include The Andersonville Trial (Grove theatre Burbank); And the World Goes Round (NOHO Arts center); The Story of Alice (Matrix); and Villa Thrilla (Atwater Village). As an artistic director of actors, he co-oped and directed Godspell; Most Happy Fella; Soldiers Song; Lights; Woman in Black; and To Kill a Mockingbird.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 48: Little Black Dress
Wed, 10 Nov 2021 00:00:00 -0800
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATRE 47: Hands From The Fire
Wed, 03 Nov 2021 08:00:00 -0700
Open-Door Playhouse is proud to announce the opening of Hands From Fire, a theatrical play starring Monique Gonsalves as Carmen, and Justin Davis as Waren. The play was written by Cris Eli Blak and directed by Bernadette Armstrong, and recorded at the Old Oak Studio in Altadena CA, with Sound Engineer David Peters.
Hands From Fire’s Backstory: An ex-soldier, permanently handicapped during the war in the Middle East continues to struggle with the aftermath of his injuries, the burden to his family, and the challenges that his future presents.
Hands From Fire is available online: https://www.opendoorplayhouse.org/
Open-Door Playhouse is a podcast created to introduce and showcase new plays, new writers, and a wealth of unknown talent. These podcast episodes are FREE to listen, and download, but your tax-deductible donations are greatly appreciated. Please visit www.opendoorplayhouse.org/donate to contribute and learn more about Open-Door Playhouse.
Hands From Fire’s Writer, Cris Eli Blak, an award-winning and international producer and playwright, has produced, performed, and published works from around the world. He continues to create works that reflect the world that we live in with all of its different and diverse colors, creeds, and cultures.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 28 Oct 2021 12:00:00 -0700
Open-Door Playhouse is proud to announce the opening of We Fill Theaters, a theatrical play starring Anne Cooper as Dixie Rae, Chris Lucchi as Justin, and Brandon Lamberty as “The Head”. It was written by Kay Phillips, and directed by Bernadette Armstrong. The play was recorded by ES Audio Studios in Glendale, California with Sound Engineer Jon Fredette.
We Will Theaters is about a has-been, high-strung, self-important filmmaker who finds it difficult to find the right cast for his low-budget horror film, using a low-budget off-the-grid casting agency.
We Will Theaters is available: https://www.opendoorplayhouse.org/
Open-Door Playhouse is a podcast created to introduce and showcase new plays, new writers, and a wealth of unknown talent. These podcast episodes are FREE to listen, and download, but your tax-deductible donations are greatly appreciated. Please visit www.opendoorplayhouse.org/donate
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 27 Oct 2021 09:00:00 -0700
Open-Door Playhouse is proud to announce the opening of Lost Dog, a theatrical play starring Joanne McGee as Old Woman; Rachel Bryant as Young Woman; and Matthew Williamson as the Radio Announcer. It was written by Will Anderson and directed by Gary B. Lamb.
Lost Dog is available: https://www.opendoorplayhouse.org/
Open-Door Playhouse is a podcast created to introduce and showcase new plays, new writers, and a wealth of unknown talent. These podcast episodes are FREE to listen, and download, but your tax-deductible donations are greatly appreciated. Please visit www.opendoorplayhouse.org/donate to contribute and learn more about Open-Door Playhouse.
Broadway World’s Play Review for Joyland: https://bit.ly/3iZBSN8
Sound Production: Recorded at ES Audio Services in Glendale, CA.
Recorded and Mixed by Jon Fredette
Sound Editor: Jon Fredette
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATRE 44: Annie and Frannie Go to The Bar
Wed, 20 Oct 2021 00:00:00 -0700
Open-Door Playhouse is proud to announce the opening of Annie and Frannie Go To A Bar, a two-person theatrical play starring Joanne McGee as Annie and Sonja Alarr as Frannie, and written by Don Goodrum and directed by Kim Hlavac.
Annie and Frannie Go To A Bar is a romance play. Backstory: Annie and Frannie are checking out Happy Hour at a local watering hole where they meet each other.
Annie and Frannie Go To A Bar is available: https://www.opendoorplayhouse.org/
Open-Door Playhouse is a podcast created to introduce and showcase new plays, new writers, and a wealth of unknown talent. These podcast episodes are FREE to listen, and download, but your tax-deductible donations are greatly appreciated. Please visit www.opendoorplayhouse.org/donate to contribute and learn more about Open-Door Playhouse.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 13 Oct 2021 09:00:00 -0700
Open-Door Playhouse will present the audio play of David, Meet Sarah written by Lee
Franklin and directed by Bernadette Armstrong.
The performance will run approximately 10 minutes, with no intermission.
The cast will feature Elaine Mello as Sarah and Daamen Krall as David and directed by Bernadette Armstrong. This episode of the Open-Door Podcast is recorded at ES Audio
Studios in Glendale, CA and Sound Engineer Uril Soto.
Lee Franklin (Playwright) Background: Mr. Franklin lives in the Portland, ME area. He has acted and directed in countless productions over his career, both as an amateur and professional. He graduated from UConn in 1974 with a BFA in theatre and lived/worked in NYC for nearly ten years. Mr. Franklin recently earned 1st & 2nd Place and Finalist designations for his one-act play, The Sea Nest, 1st Place and People’s Choice for another one-act play, Just Playin’, along with Finalist designations for Isaac, a two- act documentary play and The Thesis, a two-act drama. He has also received many accolades for his short plays. Mr. Franklin is a member of the Dramatists Guild.
Bernadette Armstrong (Director) Bernadette earned her degree in Film & Television
at San Francisco State University and directed several short films for festivals, until she fell in love with live theater. She developed the Open-Door Playhouse Podcast in 2020 to bring theater to the Radio Stage after the pandemic shuttered live in-person performances. The Open-Door Playhouse Podcast has given writers a place for their words to be heard, and actors a stage to act.
The Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of the live Radio Plays popular in the 1940s & 50s. Open-Door Playhouse is hosted by playwright and producer Bernadette Armstrong who conceived of the podcast after her most recent project, Custody, which was scheduled to open in North Hollywood on September 8, 2020 at the Secret Rose Theater, was canceled due to the Covid-19 pandemic. Since September the podcast has presented over 36 new plays by emerging playwrights from all over the country and has been downloaded over 2,500 times.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 06 Oct 2021 16:00:00 -0700
Open-Door Playhouse is proud to announce the opening of Mind Games, a theatrical play starring Whitton Frank as Ann Ablard & Amir Abdullah as Detective Inspector Barnes, and written by Ian Hornby and directed by Bernadette Armstrong.
Mind Games is a crime mystery play.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Mon, 04 Oct 2021 14:00:00 -0700
Open-Door Playhouse presents the audio play of A Seat on The Bus, written by Maeve Spain and directed by Gary Reed. Visit www.opendoorplayhouse.org for more information about this play.
The podcast is FREE to listen and download, but your tax-deductible donations are greatly appreciated. Please visit www.opendoorplayhouse.org to contribute. The performance will run approximately 15 minutes, with no intermission.
Two icons from the turbulent 1960’s share a brief ride on a New York City bus. Along their journey, they realize some of their beliefs and judgments have stood the test of time, while others now reflect those they fought against.
The cast will feature Bonnie Baily-Reed as Nell and Goreti da Silva as Alice. This episode of the Open-Door Podcast was recorded at Oak House Recording Studio in Pasadena, CA with Sound Engineer David Peters.
Support the show (https://fundraising.fracturedatlas.org/open-door-playhouse)
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 40: Midnight At The Pancake Shack
Wed, 22 Sep 2021 00:00:00 -0700
Open-Door Playhouse presents the audio play of Midnight at the Pancake Shack, written by Jane M. Lee and directed by Bernadette Armstrong.
The cast will feature Rhikki Ashai as Brenda, Pat Loeb as Gloria, and Matthew Scott Montgomery as Martin. This episode of the Open-Door Podcast is recorded at ES Audio Studios in Glendale, CA, and Sound Engineer Uril Soto.
The podcast is FREE to listen to and download, but your tax-deductible donations are greatly appreciated. Please visit www.opendoorplayhouse.org/donate to contribute. The performance will run approximately 15 minutes, with no intermission.
Two hapless customers must confront a disgruntled employee when a late-night visit to a pancake restaurant goes awry.
Jane M. Lee (Playwright) lives and writes in New York City. Her work has been performed across the United States, as well as in Canada and Hong Kong. Her short play Family Emergency was praised for “fus[ing] the hostility of a Jerry Springer program with the warmth and irony of an O. Henry story.” Her full-length play Good Neighbors was given a virtual staged reading and was a finalist for the College of Charleston Todd McNerney National Playwriting Award.
Bernadette Armstrong (Director) Bernadette earned her degree in Film & Television at San Francisco State University and directed several short films for festivals until she fell in love with live theater. She developed the Open-Door Playhouse Podcast in 2020 to bring theater to the Radio Stage after the pandemic shuttered live in-person performances. The Open-Door Playhouse Podcast has given writers a place for their words to be heard, and actors a stage to act.
The Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of the live Radio Plays popular in the 1940s & 50s. Open-Door Playhouse is hosted by playwright and producer Bernadette Armstrong who conceived of the podcast after her most recent project, Custody, which was scheduled to open in North Hollywood on September 8, 2020, at the Secret Rose Theater, was canceled due to the Covid-19 pandemic. Since September the podcast has pre
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
BONUS: It's Open-Door Playhouse's First Anniversary!
Tue, 14 Sep 2021 20:00:00 -0700
Today is a very special day, it's Open-Door Podcast's first anniversary, and we're interviewing the founder, Bernadette Armstrong.
We would like to thank you for supporting our theatre community.
We are committed to launching new plays, new writers, and new talent.
Support for Open-Door Playhouse comes from listeners like you. Your tax-deductible donations help keep our plays on the Radio Stage.
Just think about it; your donations are like buying tickets to the local theatre from any location where you download your podcasts.
If you are interested in submitting a play for production, you can find that information on our website as well. Please share this podcast with friends, and don't forget to subscribe so you will be notified when our next production is live.
Visit https://www.opendoorplayhouse.org/
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 07 Sep 2021 15:00:00 -0700
A mother and daughter’s relationship is tested as they deal with the death of their husband and father.
Open-Door Playhouse presents Stay Awhile, an audio play written by Dana Hall and directed by Gary Lamb.
The cast will feature Gena Kay as the daughter and Camille Ameen as the mother. The Open-Door Playhouse Podcast is recorded at ES Audio Recording Studios in Glendale, CA with Sound Engineer Uriel Soto.
The Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of the live Radio Plays popular in the 1940s & 50s. Open-Door Playhouse is hosted by playwright and producer Bernadette Armstrong who conceived of the podcast after her most recent project, Custody, which was scheduled to open in North Hollywood on September 8, 2020 at the Secret Rose Theater, was canceled due to the Covid-19 pandemic. Since September the podcast has presented over 30 new plays by emerging playwrights from all over the country and has been downloaded over 2,500 times.
The podcast is FREE to listen and download, but donations are greatly appreciated. Please visit www.opendoorplayhouse.org/donate to contribute. The performance will run approximately 10 minutes, with no intermission.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 11 Aug 2021 15:00:00 -0700
Open-Door Playhouse presents the audio play of Chance, written by Jeff Mustard and directed by Dennis Gersten.
The podcast is FREE to listen to and download, but your tax-deductible donations are greatly appreciated. Please visit www.opendoorplayhouse.org/donate to contribute.
Amber Jordan, caught up in all the endless struggles and disappointments of the past 21 years, is convinced her life is not worth living. Until she meets Michael Hollings, a man who has found a new spirituality. Their fateful collision, on opposite ends of the spectrum, will bind these two unlikely characters together for the rest of their lives.
The cast will feature Sue Gisser, Noelle Evangelista, Rosney Mauger, Ayla Rose Barreau,
and Dennis Gersten.
Jeff Mustard (Playwright) is a writer and producer for various media, Jeff’s work in print, radio, television, and stage has been published and produced locally, regionally, and nationally. He has written two prestigious historical-fiction pilot television shows in recent years, both of which have earned multiple TV industry accolades. During the pandemic and following the George Floyd Murder, he wrote and produced a six-track album, Enough with Equal Justice Studios, addressing society's racial and social inequities. To see more of his work please visit his websites at: www.Boycott1902.com, www.ExileFromCuba.com, and
www.EqualJusticeStudios.com
Dennis Gersten (Director) is the co-artistic director of Theatre Unlimited in the Noho Arts
District in L.A. He is a founding member of the Michael Chekhov Studio in L.A., and
Stagewrights, Inc. in NYC, as well as a teaching artist with Inside Out Community
Arts/P.S.Arts. He has directed and performed in many original and classic works, garnering
multiple awards.
The Open-Door Playhouse is a podcast that supports new and emerging writers by producing
plays in the style of the live Radio Plays popular in the 1940s & 50s. Open-Door
Playhouse is hosted by playwright and producer Bernadette Armstrong who co
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 36: PART 2 - Supernova
Wed, 21 Jul 2021 08:00:00 -0700
Supernova, written by Elisabeth Hawes of the Minnesota Department of Corrections, directed by Bernadette Amstrong as part of Open-Door Playhouse’s Prison Plays series. The play will premiere in two parts on the Open-Door Playhouse Podcast, Wednesday, July 14th, and Wednesday, July 21st. The podcast is FREE to listen to and download, but donations are greatly appreciated.
Supernova gives voice to the multi-faceted women in lockup and highlights the need to bring the rights of children of the incarcerated into the equation of mass incarceration.
Open-Door Playhouse’s Prison Plays series was created to give writers serving time in prisons all around the country a voice through theater. Presented in collaboration with the PEN America Prison Writing Program. Open-Door Playhouse has presented work from the PEN Prison Writing Program as well as work submitted independently.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 35: PART 1 - Supernova
Wed, 14 Jul 2021 00:00:00 -0700
Open-Door Playhouse (Artistic Director, Bernadette Armstrong) will present the audio play of Supernova, written by Elisabeth Hawes of the Minnesota Department of Corrections, directed by Bernadette Amstrong, and presented as part of Open-Door Playhouse’s Prison Plays series. The play will premiere in two parts on the Open-Door Playhouse Podcast, Wednesday, July 14th, and Wednesday, July 21st at www.opendoorplayhouse.org. The podcast is FREE to listen to and download, but donations are greatly appreciated. Please visit www.opendoorplayhouse.org/donate to contribute.
Through the construction of monologues and conversations, Supernova gives voice to the multi-faceted women in lockup and highlights the need to bring the rights of children of the incarcerated into the equation of mass incarceration.
The cast will feature Goreti da Silva, Sue Gisser, Rosemary Thomas, Barika Croom, JayCee Porter, Zelda Kimble, Rhikki Asahi, Gloria Tasi, McKenna Koledo, Pat Loeb, Gena K. Pavey, and Debba Rofheart. The Open-Door Podcast is recorded at ES Audio Studios in Glendale, CA.
Open-Door Playhouse’s Prison Plays series was created to give writers serving time in prisons all around the country a voice through theater. Presented in collaboration with the PEN America Prison Writing Program. Open-Door Playhouse has presented work from the PEN Prison Writing Program as well as work submitted independently.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 30 Jun 2021 13:00:00 -0700
Now playing in theater 34: Afterward, an audio play written by Karl Miller and directed by Bernadette Amstrong.
In Afterward a husband and wife react differently to an environmental disaster.
The cast will feature Bonnie Bailey Read and Gary Lamb. The Open-Door Playhouse Podcast is recorded at ES Audio Studios in Glendale, CA with Sound Design by Hall Cantrell.
Karl Miller (Playwright) Karl’s fiction and poetry have appeared in various periodicals; his play, A Night in Ruins, was produced Off Off Broadway. A Best of the Net nominee, Miller lives in Coral Springs, FL.
Bernadette Armstrong (Director) moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals, she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in North Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).
The Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of the live Radio Plays popular in the 1940s & 50s. Open-Door
Playhouse is hosted by playwright and producer Bernadette Armstrong who conceived of the podcast after her most recent project, Custody, which was scheduled to open in North Hollywood on September 8, 2020 at the Secret Rose Theater, was canceled due to the Covid-19 pandemic. Since September the podcast has presented over 30 new plays by emerging playwrights from all over the country
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 23 Jun 2021 08:00:00 -0700
Now playing in theater 33 Joyland, written by Karen Saari and directed by Bernadette Armstrong.
The cast will feature Joanna Ferbrache as Princess and Ayla Rose Barreau as Lorna. The Open-Door Podcast is recorded at ES Audio Studios in Glendale, CA with Sound Design by Hall Cantrell.
The Open-Door Playhouse is a podcast that supports new and emerging writers by producing plays in the style of the live Radio Plays popular in the 1940s & 50s. Open-Door Playhouse is hosted by playwright and producer Bernadette Armstrong who conceived of the podcast after her most recent project, Custody, which was scheduled to open in North Hollywood on September 8, 2020, at the Secret Rose Theater, was canceled due to the Covid-19 pandemic. Since September the podcast has presented over 30 new plays by emerging playwrights from all over the country.
Become a Patreon of Open-Door Playhouse
Support the show (https://fundraising.fracturedatlas.org/open-door-playhouse)
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATRE 32: The Christenson Brothers
Wed, 16 Jun 2021 06:00:00 -0700
Now playing in Theater 32 is The Christensen Brothers as part of our Prison Plays series.
The Christensen Brothers was written by Michael J. Moore of the Washington State Department of Corrections, directed by Joanne McGee-Lamb, and starring Matthew Scott Montgomery as Marshal, Blake Krist, as Alan and Daamen Krall as Ray.
The Open-Door Podcast is recorded at ES Audio Studios in Glendale, CA with Sound Design by Hall Cantrell.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 31: Replacement Players
Wed, 02 Jun 2021 07:00:00 -0700
Written by Scott P. Seibert of the Marion Correctional Institute in Ohio.
Adapted by: Daniel Lambert
Cast:
André Sogliuzzo (As Dan)
Abdul-Khaliq Murtadha (As Bill)
Sound Production:
Recorded at ES Audio Services in Glendale, CA.
Recorded and Mixed by Hall Cantrell
Sound Editor: Hall Cantrell
Become a Patreon of Open-Door Playhouse
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 30: PART 1 - Penny Slots
Wed, 26 May 2021 09:00:00 -0700
Now playing in Theatre 30
Penny Slots, written and directed by Kim Hlavac
The cast will feature Goreti da Silva (Helen), Carole Goldman (Kay), and Marla Cotovsky (Marie), and Amir Abdullah (Masked Gunman).
Listen to Penny Slots Part 2
Listen to Penny Slots Part 3
Sound Design is by Hall Cantrell.
The Open-Door Playhouse Podcast is recorded at ES Audio Studios
in Glendale, CA.
The team behind the mic is Assoc Producer Laree Griffith who manages our website and …all else, and Emily Owens, our publicist who notifies the Universe about our plays.
The plays are recorded at ES Audio Services in Glendale, CA, and none of this would be possible with my patient, talented and supportive Sound Engineer Hall Cantrell.
Enjoy the play.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 29: ACT 2 - Simple Lives
Wed, 05 May 2021 09:00:00 -0700
Welcome to Open-Door Playhouse. Support for Open-Door Playhouse comes from listeners like you, your donations help keep our plays on the Radio Stage.
A quick announcement about the Patreon campaign we recently launched for the show!
If you’re a superfan and interested in supporting the show and getting bonus content - head over to patreon.com/opendoorplayhouse and join a community that is committed to launching new plays, new writers, and new talent.
The team behind the mic is Assoc Producer Laree Griffith who manages our website and …all else, and Emily Owens, our publicist who notifies the Universe about our plays. The plays are recorded at ES Audio Services in Glendale, CA and none of this would be possible with my patient, talented and supportive Sound Engineer Hall Cantrell.
Now playing…in Theatre 29 – Simple Lives: ACT 2.
Staring Goreti da Silva as Rosalie, Elaine Mello, as Kathleen and Anne Cooper as Anna, Monique Gonsalvas as Beth, Rosney Mauger as John Knight, and Noelle Evangelista as Nurse Patty.
Simple lives was written and directed by me, Bernadette Armstrong.
Support the show (https://fundraising.fracturedatlas.org/open-door-playhouse)
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 28: ACT 1 - Simple Lives
Wed, 05 May 2021 09:00:00 -0700
Welcome to Open-Door Playhouse. Support for Open-Door Playhouse comes from listeners like you, your donations help keep our plays on the Radio Stage.
A quick announcement about the Patreon campaign we recently launched for the show!
If you’re a superfan and interested in supporting the show and getting bonus content - head over to patreon.com/opendoorplayhouse and join a community that is committed to launching new plays, new writers, and new talent.
The team behind the mic is Assoc Producer Laree Griffith who manages our website and …all else, and Emily Owens, our publicist who notifies the Universe about our plays. The plays are recorded at ES Audio Services in Glendale, CA and none of this would be possible with my patient, talented and supportive Sound Engineer Hall Cantrell.
Now playing…in Theatre 28 – Simple Lives.
Staring Goreti da Silva as Rosalie, Elaine Mello, as Kathleen and Anne Cooper as Anna, Monique Gonsalvas as Beth, Rosney Mauger as John Knight, and Noelle Evangelista as Nurse Patty.
Simple lives was written and directed by me, Bernadette Armstrong.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 27: The Canterville Ghost
Tue, 23 Mar 2021 19:00:00 -0700
Today we bring you our first presentation in our new collaboration series we’ve titled - Across The Pond Theatre, the joining of Open Door Playhouse Theatre, based in Pasadena, California, and Our Kid and Me Productions, based in Oxfordshire, UK. For our first joint effort, we are pleased to present a dramatization of Oscar Wilde's famous supernatural short story, "The Canterville Ghost".
In order of Appearance:
Gareth Thomas as Lord Canterville
Amir Abdullah as Hiram Otis
Elaine Mello as Elizabeth Otis
McKenna Koledo as Virginia Otis
Franco Machado Washington Otis
Gary Reed and Matthew Scott Montgomery as Roland
Jennie Cosgrave as Mrs. Umney
John Hunter as the GHOST, Sir Simon de Canterville
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Mon, 08 Mar 2021 07:00:00 -0800
Written by Playwright - Emma Lefkowitz
Directed by Dennis Gersten.
Starring Sue Gisser as (Lenora) and Whitton Frank as (Ella)
Recorded at ES Audio Services in Glendale, CA.
Recorded and Mixed by Hall Cantrell
Sound Editor: Hall Cantrell
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Thu, 25 Feb 2021 07:00:00 -0800
Gun Story Written by Karen Saari Directed by Gary Lee Reed and starring- Goreti da Silva as (Mae) & Eric Kwasnjuk as (Lloyd).
Recorded at ES Audio Services in Glendale, CA.
Recorded and Mixed by Hall Cantrell
Sound Editor: Hall Cantrell
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 24 Feb 2021 10:00:00 -0800
Writer: Brian C. Petti
Brian is a Hudson-Valley, NY-based playwright who has been published and produced in NYC, LA, and Ireland.
Cast:
Anne Cooper as Woman #1
Anne Cooper, a member of SAG/AFTRA and AEA for over thirty years, has acted under the direction of many talented Film and TV directors. She is in the upcoming movie MARRY ME with Jennifer Lopez. She is a theatre consultant to LA GOAL, which provides services for adults with developmental disabilities. She is a big fan of Bernadette Armstrong as a writer and director, and was in her production of SIMPLE LIVES and feels lucky to again be working with Bernadette.
Sonja Alarr as Woman #2
Sonja Alarr is a mom, writer, and erstwhile actor/singer. She used to do a ton of regional theatre, working at the Oregon Shakespeare Festival, PCPA, La Jolla Playhouse, Crown City Theatre, Ensemble Theater, and the Kirk Douglas Theatre among others. But she really freaked out about auditioning, and the truth is, she wasn’t very good at it. So she and her husband, Albert, started a theatre company back in the day but stopped that to raise Anton and Zosia, two truly amazing kids. Now Sonja writes and does her own cabaret shows when she feels the itch to perform. If you need more: She has a BFA in theatre from CalArts and graduated summa cum laude with a master’s degree in feminist theory and English literature from Cal State Long Beach. She had her kids at home with no drugs. She’s a certified life coach. She’s currently writing her second novel. And she’s on the cusp of Gemini and Cancer, which explains a lot.
Director: Joanne McGee
Joanne McGee has been a professional actor since 1977 and has work in Union and Non-Union theaters around the country includingThe Florida Rep., Utah Shakespeare Festival, Nevada Shakespeare in the Park, Detroit Rep., and Sonora Rep. To name a few. She’s been seen in Jag, General Hospital, America’s Most Wanted, West Wing, and others. She finally had a dream come true and performed at the Mark Taper Forum as, Sladjana, in the world premiere of, Archduke, with Center Theater Group. She has done voice-over and commercials but this is her very first PodCast.
Sound Production:
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 23 Feb 2021 08:00:00 -0800
Writer:
Michael J Moore
His books include Highway Twenty, which appeared on the Preliminary Ballot for the Bram Stoker Award, the bestselling post-apocalyptic novel, After the Change, which is used as curriculum at the University of Washington and the psychological thriller, Secret Harbor. His work has received awards, has appeared in various anthologies, journals, newspapers (including TheHuffPost) and magazines (including The Nation), on television and has been adapted for the theater. In particular, his play, Tomorrow is the Dream for the Hopeless was produced by The New Alchemists, and his play, Ninja Girl was performed in Seattle by Earthseed Seattle. Follow him at: twitter.com/MichaelJMoore20 or https://instagram.com/michaeljmoorewriting.
Cast:
Monique Gonsalves, as Hannah
Monique Gonsalves holds a BA in Theater Arts with an Emphasis in Acting from the California State University of Fullerton. She has enjoyed success as a Children’s Theater Director for Town Hall Kids at the Town Hall Theater in Lafayette, CA. As well as her extensive experience as a costume character performer ranging from Princess Parties as Barbie and Cinderella to singing telegrams as Betty Boop and various events as a Marilyn Monroe Impersonator. After many years of moving across America and living and loving in some of its greatest cities like Chicago and New York- she is happy to be back on the best coast ardently pursuing the dream in Hollywoodland.
Bill Mendieta as Keith
Bill Mendieta has been working in theatre in a variety of roles for many years. He is best known for playing Ricky Ricardo in I Love Lucy Live On Stage in Los Angeles, Chicago, and the 1st national tour for over 500 performances and in a new show presented at the National Comedy Festival. He earned the Broadway World Award for Best Actor.
He played a leading role in the award-winning film Soldier of God, Dead Border and She’s Out of His Mind. He’s also appeared on NBC’s Days of Our Lives and in the web series: The Sanctum and The Nevermore Chroni
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 19 Jan 2021 09:00:00 -0800
A funny COVID story from Open-Door Playhouse Founder, Bernadette Armstrong.
Bernadette Armstrong
Bernadette moved to Los Angeles to work in film in the late 1990s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated)
Become a Patreon and support Open-Door Playhouse
https://www.patreon.com/opendoorplayhou
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Mon, 18 Jan 2021 17:00:00 -0800
Writer:
Gareth Williams
Cast:
Sue Gisser as Cheryl
Sue Gisser is trained at the Royal Academy of Dramatic Art in London, Steppenwolf West, the Groundlings, iOWest, Second City, Antaeus Academy, Theatricum Botanicum, and holds a BFA from Mason Gross School of the Arts at Rutgers. In her professional career, Sue is blessed to seldom work with a director, show, or theatre company only once. She's recurred on "Shameless," "Strangers with Candy," and "Solved;" did multiple spots in campaigns for 'Burlington Coat Factory,' 'Mercury Insurance,' and 'Cedar Fair;' completed 20 tours between the Shoestring Players, Open Window Entertainment, and the George Street Playhouse; her films include "The Activist" and "In the Air"- both by French Director Cyril Morin. This is her first podcast, and she's totally hooked. Playing Char has been an honor. Sue is grateful to Bernadette for opening up this new world to her, and for the opportunity to work on this beautiful play, with such strong, talented women! @suegisser
Barry Papick as the Wood Man
Mr. Papick is an accomplished actor. He has been in many films and episodic television shows including "Swans Crossing," where he was a series regular and recently, "Shameless." Barry has recently been seen in "Labor Pains" with Lindsey Lohan, "Lake Effects" on The Hallmark Channel and has guest-starred on the CBS show "Without A Trace." He is can be seen in Howard Stern's "Private Parts." and Andrew Nicol's "Simone." He has wrapped the feature film "Rejourer" and the Television show "The Mason Twins" for NBC. He is presently the voice of GNC's Advertising campaign "Beat Average." One of the top Acting Coaches in the world, Mr. Papick has been teaching and coaching Actors for 23 years. He has recently worked as the On-set Acting Coach for Dan Pritzker's soon to be released "Bolden," where he worked with the icon, Dick Gregory. He is also known for coaching Universal's hit "The Express", where he worked with Director Gary Fleder (Kiss the Girls, Runaway Jury, October Road.)
Director: Bernadette Armstrong
Bernadette moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals she took a shor
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 20: What's Prison Like?
Mon, 18 Jan 2021 17:00:00 -0800
Story:
We’re excited to bring our first play in our 2021 series of plays from the PEN America’s PRISON WRITING PROGRAM, What’s Prison Like?
Writer: Matthew Mendoza
Matthew Mendoza has published fiction, nonfiction, and poetry, all from prison! His play Freedom Feather was performed by Rehabilitation Through The Arts at the Brooklyn Book Festival as part of “Break Out 2018: Voices From the Inside.” He has won awards from American Short Fiction and PEN America. He juries prison writing for Evening Street Review.
Director: Bernadette Armstrong
Bernadette moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated)
Cast:
Amir Abdullah is an award-winning actor and writer. His TV work includes The Odd Couple and Tosh.0, as well as extensive commercial work both on-camera and in voice-over. Amir also voices the antagonist in the video game Abo Khashem. Amir has appeared on stage in dozens of productions, including Macbeth and Romeo and Juliet at the Chicago Shakespeare Theatre. Amir can be seen in the feature film Radioflash and is a member of SAG and Actor’s Equity.
Jeffrey Johnson as Wade
Jeffrey Johnson was born in Southborough, Massachusetts, as Jeffrey Scott Southworth Johnson. He is an actor and producer, known for Captain Black (2017), Terminator Genisys (2015), and Burn Notice (2007). An ordained minister with The Universal Life Church, he has married ten couples, including his sister and her husband in the summer of 2005, and his cousin, a decorated war veteran, and his wife in 2009.
Eric Nikolaus Kwasnjuk as Rodriguez
Eric Kwasnjuk- Bio Eric Kwasnjuk, (pronounced-kwaz-knee-yuk) i
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Sat, 19 Dec 2020 20:00:00 -0800
Story:
Bart, who is seventy, and Tyler, who is twenty-eight, happen to be on the same elevator when it becomes stuck between floors.
Bart is concerned that his daughters will think he has gotten lost again and might send him to a retirement community. Tyler does not seem too concerned about anything. In the few minutes, they share in the elevator the two find a unique friendship that crosses age barriers.
Writer: Lawson Caldwell
Lawson’s work has been produced in Germany as well as the United States. A graduate of the University of North Carolina, Lawson holds a Masters Degree in Theatre and Speech from the University of South Carolina. His play, Waltzing, One, Two, Three, was a Heideman Award Nominee (Actors Theatre of Louisville) and was produced at the Out Works Festival (Louisiana State University), the Gary Garrison Playwriting Festival (Beaumont, TX), Notes from the Underground Festival (NYC) and, most recently, by The New American Theatre Company (Los Angeles). The play was also selected for a reading by Village Playwrights as part of New York City’s Pride Tribute. Lawson is also the author of a popular children's book, "Colors Belong to Everyone."
Director: Gary Lamb
Gary B. Lamb has appeared as an actor in more than 50 plays and musicals as well as on TV and film. He recently completed a National Tour of EVITA as Juan Peron and the title role in MACBETH for Shakespeare @ The Castle in Ohio. He can be heard on the recently released podcast DREAMLAND as Bruce. Gary has been a stage actor/director/producer for most of his life. Repair at www.GBLambMusic.com.
CAST
Franco Machado
Franco was born in Caracas, Venezuela, and moved to the United States at the age of 3. Franco has lived in Chicago, Ann Arbor, and now resides in Los Angeles. Since the age of 16, Franco has worked both in front and behind the camera, which has allowed him to explore and embrace different perspectives within his writing. In 2019, he graduated Summa Cum Laude with a degree in Screenwriting and a minor in Sociology from Chapman University’s Dodge College. Franco has had the opportunity to work with many well-known art
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 18: Ten Minute Grief Counseling
Sat, 19 Dec 2020 16:00:00 -0800
The Story:
For some, Christmas can bring up a lot of issues and when you add children to it, you might have to re-think the whole holiday.
Writer:
John McDonnell
I've done many kinds of writing in a long and varied career, and I am always amazed at the power of words and stories to illuminate and bring joy to our lives. If you get the words right even the humblest catalog copy, which I wrote at the beginning of my professional life, can make commonplace products shine. People need good writing to make them see the beauty of the world, the importance of their lives, the mystery and wonder of each moment.
I now have more than a dozen books on Amazon Kindle. They're not predictable. I write horror stories with no blood or gore in them, humor stories with an edge, poetry that sometimes rhymes and sometimes doesn't, and a few very sentimental stories. I expect to try my hand at other styles and genres too. In fact, recently I began writing humorous plays. I have clips of them on YouTube -- lookup Love Bite by John McDonnell, and you'll get a few laughs. I live outside of Philadelphia, PA, with my wife and four children, and I am so happy to be alive during this revolutionary time in the publishing industry. The rise of electronic publishing is the biggest thing since the invention of the printing press, and I am so glad to be part of it.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 17: Are We Doing Christmas?
Sat, 19 Dec 2020 00:00:00 -0800
Story:
For some, Christmas can bring up a lot of issues and when you add children to it, you might have to re-think the whole holiday.
Writer: Faith de Savigne
Faith de Savigne has worked as a theatre critic, arts writer, and columnist. As well as having poems and poetry reviews published in various literary journals, she has completed two Masters Degrees in English Literature (UNSW) and Creative Writing (UWS).
Director: Bernadette Armstrong
Bernadette moved to Los Angeles to work in film in the late 1990s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).
CAST
Sue Gisser - as Yvonne
Sue Gisser is trained at the Royal Academy of Dramatic Art in London, Steppenwolf West, the Groundlings, iOWest, Second City, Antaeus Academy, Theatricum Botanicum, and holds a BFA from Mason Gross School of the Arts at Rutgers. In her professional career, Sue is blessed to seldom work with a director, show, or theatre company only once. She's recurred on "Shameless," "Strangers with Candy," and "Solved;" did multiple spots in campaigns for 'Burlington Coat Factory,' 'Mercury Insurance,' and 'Cedar Fair;' completed 20 tours between the Shoestring Players, Open Window Entertainment, and the George Street Playhouse; her films include "The Activist" and "In the Air"- both by French Director Cyril Morin. This is her first podcast, and she's totally hooked. Playing Char has been an honor. Sue is grateful to Bernadette for opening up this new world to her, and for the opportunity to work on this beautiful play, with such strong, talented women! @suegisser
Whitton Frank - as Marsha
Whitton Frank is a voice, film, television, and theater actor living in Los Angeles. Recent work includes the award-winning horror short Seeing Green as well as immersive vo work in
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 16: The Very Furious Kugel
Sat, 19 Dec 2020 00:00:00 -0800
Story:
Your grandfather met a demon yesterday, but she's really not that bad. Inspired by Yiddish folktales, my dad's stories, and really good leftovers.
Writer: Clare Bierman
Japanese/Jewish playwright and lyricist and former cheesemonger. Based in Brooklyn by way of San Francisco and a bunch of farms. Currently a student in NYU's Graduate Musical Theater Writing Program, but I used to study brackish water. I used to do a lot of things!
Director: Gary Reed
CAST
Anne Cooper as Isadora, and Kugel.
Anne Cooper, a member of SAG/AFTRA and AEA for over thirty years, has acted under the direction of many talented Film and TV directors. She is in the upcoming movie MARRY ME with Jennifer Lopez. She is a theatre consultant to LA GOAL, which provides services for adults with developmental disabilities. She is a big fan of Bernadette Armstrong as a writer and director, and was in her production of SIMPLE LIVES and feels lucky to again be working with Bernadette.
Sound Production:
Recorded at ES Audio Services in Glendale, CA.
Recorded and Mixed by Hall Cantrell
Sound Editor: Hall Cantrell
Sound Effects: Ryan Marsh
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 15: Randall And Ward Attend The Theater
Mon, 23 Nov 2020 16:00:00 -0800
Writer: Rom Watson
Rom Watson is the author of the full-length plays Image and Likeness, Manifesto of Silence, Pickle Juice, The Norma Conquests: The Three Faces of Norma, My Fair Norma, The Importance of Being Norma; Lying Beneath the Surface and Pinocchio in The Bronx; the 10-minute plays A Twin Out of Time, The Test, Three Syllables of Shame, Celebrity Death Watch, Performance Anxiety, Mead and Stu go Caroling and Mr. Cuddles; and the libretto for Chamber Music for Bonsai Trees, which is based upon a short novel in the public domain. Twelve of his 30 short plays have been produced, and others have had readings at The Road Theatre, Moving Arts, The MET Theatre, Fierce Backbone, Alliance Repertory Company, Unknown Theatre, The Laura Henry Studio, Celebration Theatre, Neo Ensemble Theatre and the ALAP festivals Dramapalooza, Dramapocalypto and Dramakaze. He is a member of The Alliance of Los Angeles Playwrights and has been a member of The Dramatists Guild of America, Inc. since 1996. More at http://www.romwatson.com/
Director: Jan Swank
Jan Swank has produced and directed over 300 theatre productions and appeared in over 100 in his professional career. He was Managing Artistic Director of three different theatres over 35 years. His production of The Diviners won four awards, including Best Producer (Director) and the Audience Award at the International Festival in Dundalk, Ireland. He attended Indiana-Purdue Ft. Wayne, Southern Oregon University, and the University of South Dakota. He holds a BFA in Classical Theatre, an MA in Theatre, and an MFA in Theatre Directing.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Mon, 23 Nov 2020 16:00:00 -0800
Writer: Pamela E. Kingsley
Pamela Kingsley is an actress and director with more than 200 productions to her credit. A playwright, Pamela's work has been selected by theatres in cities across the U.S. including Buffalo, Cleveland, Indianapolis, Kansas City, New Haven, N. ... She is a member of The Dramatists Guild.
Director: Gary Lamb
Gary B. Lamb has appeared as an actor in more than 50 plays and musicals as well as on TV and film. He recently completed a National Tour of EVITA as Juan Peron and the title role in MACBETH for Shakespeare @ The Castle in Ohio. He can be heard on the recently released podcast DREAMLAND as Bruce. He has also been behind the camera directing several films including; THE BOX (over 5 million hits on youtube); THE BUG A CREEPY COMEDY; ROOMMATE RULES and most recently FITZWATER & MUTTON, A BUDDY FILM. His Voice-Over work includes several animated series and dubbing on several Columbian Novellas. Gary has been a stage actor/director/producer for most of his life. Repair at www.GBLambMusic.com. Available on iTunes and Amazon.
CAST
Goreti da Silva
Goreti da Silva has had the pleasure of working on several of Bernadette Armstrong’s plays: Dark Stage, Unheard Voices, Simple Lives, and Joan. Goreti has won The Michael Grossman Most Inspirational Award for her work in the Desert, and the Valley Theatre Award for her work in “Park Plays: Portland”.
Dennis Gersten
Dennis is co-artistic director of Theatre Unlimited in the Noho Arts District in L.A. He is a founding member of the Michael Chekhov Studio in L.A., and Stagewrights, Inc. in NYC, as well as a teaching artist with Inside Out Community Arts/P.S.Arts. He has directed and performed in many original and classic works, garnering multiple awards.
Sound Production:
Recorded at ES Audio Services in Glendale, CA.
Recorded and Mixed by: Hall Cantrell
Sound Editor: Hall Cantrell
Sound Effects: Ryan Marsh
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Mon, 23 Nov 2020 15:00:00 -0800
Funny how saving garbage can lead to a connection across the ages.
Writer: Paul Elliott
Paul Elliott is an actor, director, and respected television and screenwriter who has written, produced, and/or directed over sixty television shows as well as writing/ producing/ and directing more than fifty theatrical plays including live entertainment spectaculars for theme parks like Disneyland, Disney World, EuroDisney, AstroWorld, Boblo Island and Sanrio Puroland in Japan.
Director: Bernadette Armstrong
Bernadette moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).
CAST
Bonnie Bailey- Reed as Grace
Bonnie’s career began in NYC with touring with two Musical Theatre First National Tours. In L.A., she has appeared in award-winning roles including Mags in the World Premiere of THE SUPER VARIETY MATCH BONUS ROUND at The Rogue Machine Theatre, Mrs. Brummett in the World Premiere of Arlene Hutton's GULF VIEW DRIVE (LA Weekly Award, Supporting Actress). Other LA roles include Kate in ALL MY SONS, Margaret in THE SAVANNAH DISPUTATION at The Colony Theatre, and BINGO, THE WINNING MUSICAL at The Cosmopolitan Cabaret in Sacramento, CA. On Television, she was a Series Regular on ABC Family Channel's STATE OF GRACE. Her Guest Star roles on Television include the Aidy Bryant Series, SHRILL currently streaming on Hulu, and BOSTON LEGAL. Other Television credits include VEEP, FARGO, THE KENAN THOMPSON SHOW, GLEE, THE MINDY PROJECT, SHOOTER, HOW I MET YOUR MOTHER, DESPERATE HOUSEWIVES, along with many television commercials. Bonnie is happy to be a part of another Bernadette Armstrong production!
Matthew Scott Montgomery as Jimmy
THEATRE: Stage Kiss (The Geffen Playhouse), YELLOW
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 12: Annie And Frannie Go To The Mall
Mon, 23 Nov 2020 15:00:00 -0800
The title says it all, good friends Annie and Frannie go to the mall to spend time together and chat about their lives, loves, and everything in between.
Writer: Don Goodrum
A stage veteran of almost 50 years, Don Goodrum was born in Tennessee
and raised in Mississippi, where he got his first taste of the spotlight as The
King of the Calendar in his second-grade play. Don moved onto the church
play circuit and managed to turn a Best Actor win in a One Act Play Festival
into a theatre scholarship to Mississippi College. At MC, Don began writing in
earnest and saw several of his plays produced. After college, Don wound up
on the radio, a career choice that kept sharpening his comedic and writing
skills for the next 25 years. Don retired from radio in 2006 and began teaching
high school theatre and writing once again. He has seen productions of many
of his plays throughout the US and hopes to see many more. He is retired and
lives in Florida where he is surrounded by his three grown daughters, three
granddaughters, a grandson, various sons-in-law, and the (assumed)
adoration of millions.
Director: Bernadette Armstrong
Bernadette moved to Los Angeles to work in film in the late 1990s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).
Cast:
Joanne McGee as Annie
Joanne McGee has been a professional actor since 1977 and has work in Union and Non-Union theaters around the country includingThe Florida Rep., Utah Shakespeare Festival, Nevada Shakespeare in the Park, Detroit Rep., and Sonora Rep. To name a few. She’s been seen in Jag, General Hospital, America’s Most Wanted, West Wing, and others. She finally had a dream come true and performed at the Mark Taper Forum as, Sladjana, in the world premiere of, Archduke, with Center
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
BONUS INTERVIEW: Beethoven And Misfortune Cookies
Tue, 27 Oct 2020 08:00:00 -0700
Please join us for a discussion with writer Joni Ravenna, Amir Abdullah, Devereau Chumrau and special guest Kabin Thomas.
Beethoven and the Misfortune Cookies was inspired by the firing of Kabin Thomas - a 43-year-old, African American Music Appreciation Professor at The University of Arkansas in 2006 after a white student complained about the use of profanity and a graphic image depicting a lynching in one of his lessons. This is the story of how he lost himself and then found his way back.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 10: Beethoven And Misfortune Cookies
Tue, 27 Oct 2020 07:00:00 -0700
About: Beethoven and the Misfortune Cookies was inspired by the firing of Kabin Thomas, a 43- year-old, African American Music Appreciation Professor at The University of Arkansas in 2006 after a white student complained about the use of profanity and a graphic image depicting a lynching in one of his lessons. This is the story of how he lost himself and then found his way back.
Please listen to episode 11 after the play for a discussion with writer Joni Ravenna, Amir Abdullah, Devereau Chumrau, and special guest Kabin Thomas.
Writer: Joni Ravenna
A graduate of USC, Joni Ravenna is a multi-hyphenate: TV writer/producer, journalist, published author, and award-winning playwright. She is also Co-Author of the book, "You Let Some GIRL Beat You?- The Ann Meyers Drysdale Story" (Behler Publications, 2012) which Forbes Magazine called "a stunning portrayal of one of today's legendary women's basketball treasures." Currently, Ravenna is working with Emmy and Peabody Award-winning writer-director and co-executive producer of the popular ABC series, "MONK", Fern Field, to convert her memoir, "Letters To My Husband" into a stage play.
Director: Devereau Chumrau
Devereau Chumrau is an actress born in Los Angeles, California. She is an Angeleno by heart but spent the past decade studying and improving her acting craft abroad at the University of Ghana, London Study Centre of the Arts, and Florida at Asolo Conservatory. She is an actress and producer, known for Dexter, Key and Peele, and Twilight: Storytellers.
Actor: Amir Abdullah - As Kabin Thomas
Amir Abdullah is an award-winning actor and writer. His TV work includes The Odd Couple and Tosh.0, as well as extensive commercial work both on-camera and in voice-over. Amir also voices the antagonist in the video game Abo Khashem. Amir has appeared on stage in dozens of productions, including Macbeth and Romeo and Juliet at the Chicago Shakespeare Theatre. Amir can be seen in the feature film Radioflash and is a member of SAG and Actor’s Equity.
Sound Produc
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 21 Oct 2020 03:00:00 -0700
ABOUT: Dizzy is a seventy-year-old woman hell-bent on getting her tattoo removed. She and her friends end up in a Tattoo Parlor where she meets the much younger Char, a non-binary tattoo artist. Dizzy and Char spend some time in verbal sparring but end up finding common ground as they recognize the pain that formed each other's SCARS.
WRITER: Pamela Kingsley
Pamela Kingsley is an actress and director with more than 200 productions to her credit. A playwright, Pamela's work has been selected by theatres in cities across the U.S. including Buffalo, Cleveland, Indianapolis, Kansas City, New Haven, N. ... She is a member of The Dramatists Guild.
DIRECTOR: Jan Swank
Jan Swank has produced and directed over 300 theatre productions and appeared in over 100 in his professional career. He was Managing Artistic Director of three different theatres over 35 years. His production of The Diviners won four awards, including Best Producer (Director) and the Audience Award at the International Festival in Dundalk, Ireland. He attended Indiana-Purdue Ft. Wayne, Southern Oregon University, and the University of South Dakota. He holds a BFA in Classical Theatre, an MA in Theatre, and an MFA in Theatre Directing. He is a South Dakota Arts Fellow, a member of Actors' Equity Association, and a decorated veteran of the U.S. Army. He and his wife Jill live in Rapid City, South Dakota.
ACTORS:
Noelle Evangelisti - As Lindy
Noelle received her MFA in Acting from the California Institute of the Arts. She was cast in the following major motion pictures: Terminator Two, LA Confidential, and Pacific Heights. Noelle has performed in numerous theaters in Los Angeles and one of her favorite and most memorable roles as Liz in The Philadelphia Story. She loves working on commercials and voice-overs and had a great time doing a radio play pre-Covid with the Screen Actors Guild. Enjoy and stay safe and healthy everyone!
Joanne McGee - As Babs
Joanne McGee has been a professional actor since 1977 and has work in Union and Non-Union theaters around the country includingThe Florida Rep., Utah Shakespeare Festival, Nevada Shakespeare in the Park, Detroit Rep., and
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 21 Oct 2020 02:00:00 -0700
ABOUT
What does it mean to accept ourselves, and each other? Friends from the past reconnect in High School in this bittersweet Library conversation.
WRITER
Rachael Carnes
Playwright Rachael Carnes received a 2020 Oregon Literary Fellowship and had more than 50 productions in 2019, across the U.S., U.K., Canada, the Middle East, and Asia. She’s recently developed work at the William Inge Theatre Festival, the Kennedy Center for the Performing Arts, the Midwestern Dramatists Center, the Mid-America Theater Conference, the American Association for Theatre in Higher Education Conference, the Sewanee Writers’ Conference, the Great Plains Theatre Conference, the Lighthouse Writers’ Conference, and the Samuel French Off-Off Broadway Festival. Rachael’s plays are seen in many literary journals. Rachael is the founder and editor of CodeRedPlaywrights, a consortium of writers across the country, responding to gun violence. She and her family live in Oregon. www.rachaelcarnes.com
DIRECTOR
Bernadette Armstrong
Bernadette moved to Los Angeles to work in film in the late 1990s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated). Bernadette is the founder of Open-Door Playhouse.
ACTORS
Franco Machado as Mike
Franco was born in Caracas, Venezuela, and moved to the United States at the age of 3. Franco has lived in Chicago, Ann Arbor, and now resides in Los Angeles. Since the age of 16, Franco has worked both in front and behind the camera, which has allowed him to explore and embrace different perspectives within his writing. In 2019, he graduated Summa Cum Laude with a degree in Screenwriting and a minor in Sociology from Chapman University’s Dodge College. Franco ha
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 21 Oct 2020 01:00:00 -0700
ABOUT: An interracial couple in quarantine seeks peace but is forced to deal with the racial reckoning that surrounds them.
WRITER: Mildred Inez Lewis
Mildred Inez Lewis writes and directs for film, theater and new media. A member of the Dramatists Guild, she belongs to the Antaeus, Company of Angels, Ensemble Studio Theatre-Los Angeles and Playground-LA playwriting groups.
Recent productions include Submerged for Actors Circle Ensemble; How's the Store? at Company of Angels; Acknowledge for Playground-LA; My Body, An Offering for Detroit's Black and Brown Theatre; and Aisle Three for Breath of Fire Latina Theatre Ensemble. Recent publications include CowGirls for Breathe Fire literary magazine and Roost First, Then Fly for Applause Books’ 2020 10 Minute Play collection.
In 2018, she wrote and directed Cast Me! a short comedy that screened in the Outfest and Outfest Fusion festivals. Earlier she wrote and directed left which screened at the Santa Barbara Black, Reel Rasquache, and San Francisco Black Film festivals.
Mildred is currently writing a full-length satire, The Women’s Annex, for San Francisco’s Central Works Theatre playwriting workshop. Suitcases will be produced by Ensemble Studio Theatre-Los Angeles later this year.
DIRECTOR: Bernadette Armstrong
Bernadette moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).
ACTORS:
Brandon Lamberty - As Quinn
Brandon Lamberty has been acting for five years and also is a stand-up comic. You can see his work in comedic commercial spots all throughout the country. You can see him in the film "Chinese Speaking Vampires" which comes out this month!
Lastly,"I, he, or whomever is narrating; I love animals, I rescue dogs and have a rescue pitbull named Annie."
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 21 Oct 2020 00:00:00 -0700
ABOUT: This short play addresses the partnership of two women and how that relationship is affected by events in a bar.
WRITER: Janis Butler Holm
Janice has served as Associate Editor for _Wide Angle_, the film journal. Her prose, poems, and performance pieces have appeared in small-press, national, and international magazines. Her plays have been produced in the U.S., Canada, and the U.K.
DIRECTOR: Dennis Gersten
Dennis is co-artistic director of Theatre Unlimited in the Noho Arts District in L.A. He is a founding member of the Michael Chekhov Studio in L.A., and Stagewrights, Inc. in NYC, as well as a teaching artist with Inside Out Community Arts/P.S.Arts. He has directed and performed in many original and classic works, garnering multiple awards.
ACTORS
Lily Rains - As Ro
Lily Rains is an actor, director, and creative consultant currently recurring on TNT’s “Animal Kingdom” and recently featured in InterAct Theatre Company’s “Just Another Birthday in Bedlam,” for the Together LA Theatre Festival. Many thanks to Dennis Gersten for my narrative podcast debut.
Stephanie Michels - As Bree
Stephanie is an NYU graduated and originated roles in two Tony Award-winning Broadway shows The Life and Contact.
Film credits: The Producers, Cop Dog, Acts of Violence, and The Bellman. TV credits: NCIS, CSI Cyber, CSI, Law & Order, and many more. Here in LA, she is a member of The Road Theatre, where she was in Lake Anne, Petoskey Stones, and most recently via zoom in All The Good in the World at SPF11. Stephanie has also produced and starred in the award-winning short film WALK and the West Coast premiere of the play Slow Food. During these last few months, she has been seen directing and starring in productions at BGB Presents.
Goreti Da Silva - As Madge
Goreti da Silva has had the pleasure of working on several of Bernadette Armstrong’s plays: Dark Stage, Unheard Voices, Simple Lives and Joan. Goreti has won The Michael Grossman Most Inspirational Award for her work in the Desert, and the Valley Theatre Award for for her work in “Park Plays: Portland”.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 5: Mead and Stu Talk About Penguins
Wed, 07 Oct 2020 08:00:00 -0700
ABOUT
Mead & Stu learn how to talk about sex from penguins.
DIRECTOR
Jan Swank has produced and directed over 300 theatre productions and appeared in over 100 in his professional career. He was Managing Artistic Director of three different theatres over 35 years. His production of The Diviners won four awards, including Best Producer (Director) and the Audience Award at the International Festival in Dundalk, Ireland. He attended Indiana-Purdue Ft. Wayne, Southern Oregon University, and the University of South Dakota. He holds a BFA in Classical Theatre, an MA in Theatre, and an MFA in Theatre Directing. He is a South Dakota Arts Fellow, a member of Actors' Equity Association, and a decorated veteran of the U.S. Army. He and his wife Jill live in Rapid City, South Dakota.
WRITER
Rom Watson is the author of numerous full-length plays. Twelve of his 28 short plays have been produced, and others have had readings at The Road Theatre, Moving Arts, The MET Theatre, Fierce Backbone, Alliance Repertory Company, Unknown Theatre, The Laura Henry Studio, Celebration Theatre, Neo Ensemble Theatre, and the ALAP festivals Dramapalooza, Dramapocalypto and Dramakaze. He is a member of The Alliance of Los Angeles Playwrights and has been a member of The Dramatists Guild of America, Inc. since 1996.
ACTORS
David Trice is pleased to have worked with Bernadette Armstrong a second time. The first was in her one-act play "Joan." He is very glad to be back. He has numerous film and television credits. He has been on "Big Bang Theory" "Mom" "Criminal Minds" and "Parks and Recs." His most recent was "Homecoming 2" ep 4 on Amazon Prime. One last thing. Please vote!
Daamen Krall has worked as a professional actor/voice-over artist in films and television for the past 38 years. Some of the recent film credits include THE POST, CARS III, AMERICAN PASTORAL, UNBROKEN 2, and, for television, SLEEPY HOLLOW and MADMEN. One of his favorite projects was starring in the title role of the award-winning remake of THE CABINET OF DOCTOR CALIGARI. He also produced the award-winning short film HIDE. Under the banner of MIDNIGHT SCREAM PRODUCTIONS with partner Robert Shelby, he is currently in post-production for
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
THEATER 4: The First Impression
Wed, 07 Oct 2020 06:00:00 -0700
ABOUT
How a love story begins over an art show, a snowball fight, and coffee.
DIRECTOR
Bernadette Armstrong moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).
WRITER
Suzanne Bronson A Master of Fine Arts graduate in May 2017 from New York University and recipient of the Tisch School of the Arts and the Jean Stein scholarships, Suzanne Bronson's black comedy, A Reasonable Expectation of Privacy, was a 2018 semi-finalist for the National Playwrights Conference at the Eugene O'Neill Theater Center. The play was also on the 2018 long-list for Theatre503's Playwriting Award.
ACTORS
Monique Gonsalves is thrilled to perform in her first podcast play production with Open Door Playhouse. She holds a BA in Theater Arts with an Emphasis in Acting from the California State University of Fullerton. She has enjoyed success as a Children’s Theater Director for Town Hall Kids at the Town Hall Theater in Lafayette, CA. As well as her extensive experience as a costume character performer ranging from Princess Parties as Barbie and Cinderella to singing telegrams as Betty Boop and various events as a Marilyn Monroe Impersonator.
Whitton Frank Whitton Frank is an actress and producer, known for Murder in the First (2014), Amnesia: Who Are You? (2014) and Will the Real Princess Merida Please Stand Up? (2012).
SOUND PRODUCTION
Mercury Sound Studios Recorded and Mixed by Paul Ratajczak and Hall Cantrell
SOUND EFFECTS
Ryan Marsh
SOUND EDITOR
Hall Cantrell
MUSIC
Audio Jungle
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 07 Oct 2020 04:00:00 -0700
ABOUT
It’s only an item of clothing…but when Robert seems fascinated by it, storm clouds loom between him and his partner, Greg.
DIRECTOR
Bernadette Armstrong moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).
WRITER
Rosemary FrisinoToohey It was in 1998 that Rosemary completed her first full-length play, Gladys in Wonderland. She has written a number of comedies, many of which are one-act works. Included in these are plays featuring lobsters, cockroaches, fruit, and socks. Rosemary has also written a musical play, Judy And The General. She is also a member of the Screen Actors Guild and has worked in film and on TV, her projects include appearances on Home, Rocket Science, Rocky Balboa, The Wire, Veep, and House Of Cards among many others.
ACTORS
Brandon Lamberty has been acting for five years and also is a stand-up comic. You can see his work in comedic commercial spots all throughout the country. You can see him in the film "Chinese Speaking Vampires" which comes out this month!
Franco Machado was born in Caracas, Venezuela and moved to the United States at the age of 3. Franco has lived in Chicago, Ann Arbor, and now resides in Los Angeles. Since the age of 16, Franco has worked both in front and behind the camera, which has allowed him to explore and embrace different perspectives within his writing.
In 2019, he graduated Summa Cum Laude with a degree in Screenwriting and minor in Sociology from Chapman University’s Dodge College. Franco has had the opportunity to work with many well-known artists including Anthony Ramos, Leonardo DiCaprio, Francis F. Coppola, Rita Wilson, Jessy Terrero, Lil Peep, Lil Twist, and CD9. He’s directed two short films, Our Lives Matter (2017) and Be a Man (
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Wed, 07 Oct 2020 04:00:00 -0700
ABOUT
So many things can happen when one gets into the wrong Uber on a rainy night.
DIRECTOR
Dennis Gersten
WRITER
Scott Mullen is a playwright and screenwriter, a two-time winner of Amazon Studios' screenwriting contest, whose thrillers THE SUMMONING and IN BROAD DAYLIGHT aired on TV One. His short plays have been produced hundreds of times around the world. An evening of his comic plays, A NIGHT OF S.M., had a two-week run in Hollywood.
ACTORS
Elaine Mello is excited to be participating in Open-Door Podcast. Elaine has been working with Bernadette on many projects and continues to do so because of her creative talents and willingness to seek innovative and thought-provoking material. Grateful to be part of such an accepting movement of the arts.
Goreti da Silva has had the pleasure of working on several of Bernadette Armstrong’s plays: Dark Stage, Unheard Voices, Simple Lives, and Joan. Goreti has won The Michael Grossman Most Inspirational Award for her work in the Desert, and the Valley Theatre Award for her work in “Park Plays: Portland”.
SOUND PRODUCTION
Mercury Sound Studios Recorded and Mixed by Paul Ratajczak and Hall Cantrell
SOUND EFFECTS
Ryan Marsh
SOUND EDITOR
Hall Cantrell
MUSIC
Audio Jungle
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 15 Sep 2020 00:00:00 -0700
ABOUT
Sofia and Jessica fall in love at Miami University in the early 1080s, graduate from college, and settle down in the country with their daughter until tragedy strikes and the courts get involved.
WRITER/DIRECTOR
Bernadette Armstrong moved to Los Angeles to work in film in the late 1990’s and after her first two films went to festivals she took a short hiatus from writing until she fell in love with small theater. Since 2008 she has had several successful theater projects produced in No Hollywood. Her play The Reading Group was named Pick of the Week by LA Weekly Magazine and in 2017 her play Simple Lives was nominated for Outstanding Writing of an Original Play or Musical by the Valley Theater Awards (the only woman nominated).
ACTORS
Goreti da Silva has had the pleasure of working on several of Bernadette Armstrong’s plays: Dark Stage, Unheard Voices, Simple Lives, and Joan. Goreti has won The Michael Grossman Most Inspirational Award for her work in the Desert, and the Valley Theatre Award for her work in “Park Plays: Portland”.
Anne Cooper has acted under the direction of influential Film and TV directors such as Sam Raimi, Paul Schrader, and Kat Coiro. She has performed with Angela Lansbury, Mary Beth Hurt, William Hurt, Danny DeVito, Lee Remick, and Geraldine Page and most recently in the new film MARRY Me with Jennifer Lopez and John Bradley of House of Thrones.
Sound Production:
Mercury Sound Studios Recorded and Mixed by: Paul Ratajczak and Hall Cantrell
Sound Editor: Hall Cantrell
Original Music "melody" written and performed by Tatiana Vinci
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...
Tue, 14 Jul 2020 10:00:00 -0700
Short story recording of children's book, Olga in My Pocket by Stephen Armstrong tells the story about a little girl who shrinks when she suddenly becomes an orphan.
Founded by playwright and filmmaker Bernadette Armstrong, Open-Door Playhouse is a Theater Podcast- like the radio dramas of the 1940s and 1950s. The Playhouse launched on September 15, 2020. At the time, Open-Door Playhouse provided Playwrights, Actors and Directors a creative outlet during the shutdown. Since its inception. Open-Door Playhouse has presented Short and One-Act plays from Playwrights across the country and internationally. In 2021 Open-Door Playhouse received a Communicator Award for Content for the Play Custody and in 2023 the play What’s Prison Like was nominated for a Webby Award in the Crime & Justice Category.
Plays are produced by Bernadette Armstrong, Sound Engineer is David Peters, sound effects are provided by Audio Jungle, and music from Karaoke Version. All plays are recorded at The Oak House Studio in Altadena, CA.
There’s no paywall at the Open-Door Playhouse site, so you could listen to everything for free. Open-Door Playhouse is a 501c3 non-profit organization, and if you would like to support performances of works by new and emerging playwrights, your donation will be gratefully accepted. Your tax-deductible donations help keep our plays on the Podcast Stage. We strive to bring our listeners thoughtful and surprising one-act plays and ten-minute shorts that showcase insightful and new perspectives of the world we share with others. To listen or to donate (or both), go to https://opend...